- GIRL 1: Leave him alone! - GIRL 2: He's a flower! He's a flower, man. GIRL 3: He's just a flower. He doesn't know better. - Ladies. - [GRUNTS]
Once Upon a Time in Hollywood
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But you just get paid for the day - that you cut his hair? - No, no, no. I get paid $1000 a day. I get paid $1000 the day I arrive. - I get paid $1000... - NARRATOR: At El Coyote, margaritas and good times were had by all, except Sharon. Sharon was experiencing a touch of pregnancy-induced melancholy. Not only that, it was later reported that it was the hottest night of the year, and it made her feel especially pregnant in all the worst ways. JAY: I don't want to party anymore. I am tired. [SLURRING] Because he got it done. No, it's not... It's not because he just got it done. He had just as much time as all the rest of the goddamn directors. What he did with that time... That's what counted. NARRATOR: At Casa Vega, Rick and Cliff drank so much that, when they left, they left the Cadillac there and took a cab home. The greatest action director, underrated guy of all time. NARRATOR: Around 10, Sharon and her friends left El Coyote and arrived back at her house.
Once Upon a Time in Hollywood
2.1s
[COMMERCIAL PLAYING OVER RADIO]
Once Upon a Time in Hollywood
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NARRATOR: It was after 11:45 by the time the yellow cab dropped Rick and Cliff in front of the house. RICK: Thank you. Right here. CLIFF: All right. Grazie, amigo. [RICK GRUNTS] - RICK: How much do I owe you? - DRIVER: Three dollars. NARRATOR: Brandy was glad to see them return. - Thank you, brother. - Thanks. [SPEAKS ITALIAN] [IN ENGLISH] More margaritas.
Once Upon a Time in Hollywood
52.2s
SHARON: You've had, like, 19 margaritas. [PLAYING PIANO] NARRATOR: The four of them hung out a little longer, with Abigail even playing the piano for them... ♪ Don't get me mad Don't tell no lie ♪ ♪ Don't make me sad Don't pass me by ♪ ♪ Baby, are you holding ♪ ♪ Holding anything but me? ♪ ♪ 'Cause I'm a real Straight shooter ♪ ♪ If you know what I mean ♪ ♪ You can bring me love You can hang around ♪ ♪ You can bring me up ♪ ♪ Don't you bring me down ♪ NARRATOR: ...until she returned to her room, smoked a joint and read a book. That was around 11.
Once Upon a Time in Hollywood
41.6s
Oh, hell, man, stay in L.A. Give it what fer next pilot season. Nah, nah. I'm... I'm... I'm too insecure now to score come pilot season. Screen Gems ain't gonna have nothing good to say about me. - You know that. - Shit. You made Bounty Law. Nobody's gonna forgive me for that last season. - No matter what I do... - Ah... ...I'm always gonna be the horse's ass that got Bounty Law canceled because I wanted some fucking rinky-dink movie career. [SCOFFS] - Tom. My friend. - I met him? No, you haven't met him. You won't meet him because I don't think - you'd like him. - Why? SHARON: Well... [FILM COMMERCIAL] - SHARON: Don't even joke. - A joke? But they're scared.
Once Upon a Time in Hollywood
2s
[SIGHS]
Once Upon a Time in Hollywood
4.6s
OFFICER 4: Hermann! [CHATTERING INDISTINCTLY] Open the curtains.
Once Upon a Time in Hollywood
1.7s
VALET: Ticket, señor?
Once Upon a Time in Hollywood
2.1s
[CONCERT ANNOUNCEMENT]
Once Upon a Time in Hollywood
2s
[EXHALES HEAVILY]
Once Upon a Time in Hollywood
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[LAUGHS]
Once Upon a Time in Hollywood
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I mean, where the fuck are we, man? We are in fucking Hollywood, man. The people an entire generation grew up watching kill people live here. And they live in pig-shit fucking luxury. I say fuck them. I say we cut their cocks off and make them eat it. [CHUCKLES] That's a great idea, Sadie.
Once Upon a Time in Hollywood
17s
[SPEAKING IN SPANISH] All right, what's the matter, partner? [SIGHS] Well... it's official, old buddy. I'm a has-been. What are you talking about? What did that guy tell you? He told me the goddamn truth, is what he told me.
Once Upon a Time in Hollywood
9.7s
NARRATOR: At more or less the same time, Voytek laid on the couch watching American television and thought about how much better it was than Polish television, as he smoked a big joint.
Once Upon a Time in Hollywood
2m11s
So, uh, you've been doing guest shots on episodic TV shows the last couple of years? Yeah. Yeah. I'm doing a pilot f-for CBS right now. It's called... It's called Lancer. I play the heavy. Did a, ahem, Ron Ely Tarzan. I did a Land of the Giants. Green Hornet. I did that show, uh... Bingo Martin with that kid Scott Brown. Yeah. And I got a F.B.I. that-that airs this Sunday. You, um... You always play the bad guy on these shows? - Y-yeah. Mm-hm. - Yeah. So, and they have a fight scene at the end of them? Well, not... Not... Not Land of the Giants or F.B.I., - but the rest, yeah. Yeah. - And you lose in the fight? [CHUCKLES] Yeah. Yeah, of course. I'm... I'm the heavy. Oh, that's an old trick pulled by the networks. Now, you take Bingo Martin, for example. - Mm-hm. - Right? So you got a new guy like Scott Brown. You wanna build up his bona fides, right? So you hire a guy from a canceled show - to play the heavy. - Hmm. Then at the end of the show, when they fight, it's hero besting heavy. But what the audience sees is Bingo Martin whipping Jake Cahill's ass. - Uh-huh. - You see? Then next week, it's Ron Ely. And next week, it's Bob Conrad, wearing his tight pants, kicking your ass. - Yeah. - [CHUCKLES] Now, in another couple of years, playing punching bag to every swinging dick new to the network, that's gonna have a psychological effect on how the audience perceives you. Right. So, Rick, who's gonna kick the shit out of you next week? Mannix? The Man from U.N.C.L.E.? [CHUCKLING] The Girl from U.N.C.L.E.? How about Batman and Robin? Ping. Pow. Choom. Zoom. [CHUCKLES] Down goes you. Down goes your career as a leading man.