Office Space

Office Space is a 1999 American satirical black comedy film written and directed by Mike Judge. It satirizes the work life of a typical 1990s software company, focusing on a handful of individuals weary of their jobs. It stars Ron Livingston, Jennifer Aniston, Gary Cole, Stephen Root, David Herman, Ajay Naidu, and Diedrich Bader. Office Space was filmed in Dallas and Austin, Texas. It is based on Judge's Milton cartoon series and was his first foray into live-action filmmaking. The film was Judge's second full-length motion picture release, following Beavis and Butt-Head Do America. It was released in theaters on February 19, 1999, by 20th Century Fox. Its sympathetic depiction of ordinary information technology workers garnered a cult following within that field, but it also addresses themes familiar to white-collar employees and the workforce in general. It was a box office disappointment, making $12.2 million on a $10 million production budget; however, it sold well on home video, and has become a cult film. Several aspects of the film have become Internet memes. A scene in which the three main characters systematically destroy a dysfunctional printer has been widely parodied. Swingline introduced a red stapler to its product line after the Milton character used one painted in that color in the film. Judge's 2009 film Extract is also set in an office and was intended as a companion piece to Office Space.

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Would you like to sit down? OK.

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Ahh.

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Wow! This place is really... nice. Yeah. Is it? Yeah, my God, compared to Chotchkie's! I like the uniforms better, anyways.

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I like yours. Ugh!

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"We're not in Kansas anymore." Yeah. Really. Ha ha. It's on your...

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Ohh! Yeah. That's... That's, uh... That's one of my... My pieces of flair. What's a "piece of flair"? Oh, it's, uh, where, you know... like these suspenders and, uh, buttons, they're all sort of... We're actually required to wear... um, fifteen pieces of flair. It's really stupid, actually. Do you get to pick 'em yourself? Yeah, yeah, we do. Although I didn't actually choose these. I just sort of grabbed, you know, fifteen buttons. I don't even know what they say. I don't really care.

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I don't really like talking about my flair. OK. So, where do you, work, Peter? Initech. And... Yeah? What... what do you do there? I sit in a cubicle... and I update bank software for the 2000 switch. What's that? Well, see, they wrote all this bank software... and, uh, to save space... they used two digits for the date instead of four. So like 98 instead of 1998. Uh, so I go through these thousands of lines of code... and, uh... It doesn't really matter. I, uh, I don't like my job, and, uh... I don't think I'm gonna go anymore. You're just not gonna go? Yeah. Won't you get fired? I don't know. But I really don't like it, and, uh, I'm not gonna go. So you're gonna quit? Nah-uh. Not really. Uh... I'm just gonna stop going. What? Uh, when did you decide all that? About an hour ago. - Oh, really? - Yeah. An hour ago. So you're gonna get another job? I don't think I'd like another job. Well, what are you going to do about money and bills and... You know, I've never really liked paying bills. I don't think I'm gonna do that, either.

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Ahh... well, so what do you want to do? I want to take you out to dinner... and then I want to go back to my apartment and watch "Kung Fu." Do you ever watch "Kung Fu"?

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I love "Kung Fu." - Channel 39. - Totally. You should come over and watch "Kung Fu" tonight. - OK. - Great. OK. Can we order lunch first? - Yeah. - OK.

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Took a stapler off my desk...

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Anyway, sounds great, Bob. See you in a few.

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Hi, Milton. What's happening? Nothing. I'm going to have to ask you to go ahead... and move your desk again, so... if you could go ahead and get it as far back... against that wall as possible... that would be great. No, because I was... That way, we'll have some room... for some of these boxes and things... we need to put in here, and, uh... Oh. Oh, there it is. Here, let me just go ahead and get that from you.

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Great.

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So if you could just get to that as soon as possible... that would be terrific, OK? Thanks a bunch, Milton. Good-bye. OK.

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I could set the building on fire.

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- Peter. - Michael. What the hell's going on, man? I thought you'd come in here and start shooting. No. I just came to get my address book. I'm not gonna stay. I got a phone number, Mike, that I don't wanna lose. What? Peter, you're in deep shit. You were supposed to come in Saturday. What were you doing? Michael, I did nothing. I did absolutely nothing... and it was everything that I thought it could be. I hope you have a better story for Lumbergh. You're supposed to be at your interview with the consultants. The who? The consultants. What has gotten into you?

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Oh, yeah... right.

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Wait, Peter. You gotta postpone it, man. Tell 'em you've been sick. Make something up. Oh, no way. No, I feel great. It's the best day of my life.

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Next batter looks like a Peter Gibbons. Uh-huh. Ah, there you are. We were just talking about you. You must be Peter Gibbons. Uh-huh. Terrific. I'm Bob Slydell. This is my associate Bob Porter. Oh, hi, Bob. Bob. Grab a seat and join us for a minute or two.

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You see, what we're actually trying to do here... is we're just, we're trying to get a feel... for how people spend their day at work. So if you would... would you walk us through a typical day for you? - Yeah. - Great. Well, I generally come in at least fifteen minutes late. Uh, I use the side door. That way Lumbergh can't see me. And after that, I just sort of space out for about an hour. Uh, "space out"? Yeah. I just stare at my desk. But it looks like I'm working. I do that for probably another hour after lunch, too. I'd say in a given week... I probably only do about fifteen minutes... of real, actual work.

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