The Good, the Bad and the Ugly

The Good, the Bad and the Ugly (Italian: Il buono, il brutto, il cattivo, literally "The good, the ugly, the bad") is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly". Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni, and Leone (with additional screenplay material and dialogue provided by an uncredited Sergio Donati), based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score, including its main theme. It was an Italian-led production with co-producers in Spain, West Germany, and the United States. Most of the filming took place in Spain. The film is known for Leone's use of long shots and close-up cinematography, as well as his distinctive use of violence, tension, and highly stylised gunfights. The plot revolves around three gunslingers competing to find a fortune in a buried cache of Confederate gold amid the violent chaos of the American Civil War (specifically the Battle of Glorieta Pass of the New Mexico Campaign in 1862) while participating in many battles, confrontations, and duels along the way. The film was the third collaboration between Leone and Clint Eastwood, and the second with Lee Van Cleef. The Good, the Bad and the Ugly was marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. The film was a financial success, grossing over $38 million at the worldwide box office, and is credited with having catapulted Eastwood into stardom. Due to general disapproval of the spaghetti Western genre at the time, critical reception of the film following its release was mixed, but it gained critical acclaim in later years, becoming known as the "definitive spaghetti Western".

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You're... From baker? Tell baker that I told him all that I know already. Tell him I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins. Now that gold has disappeared. But if he'd listened to me, we could have avoided this altogether. I went to the army court. There were no withesses. They couldn't uncover any more. I can't tell baker what happened to the money. Go back and tell him that!

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Word's around you had a visitor...

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And baker knows it.

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Name of Jackson.

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Jackson was here...

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Or baker's got it all wrong.

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He's not wrong.

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Maybe baker would like to know just what you and Jackson had to say... About the cash box.

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That's not what I'm being paid for.

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I'm only interested in what name Jackson's hiding under now!

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Why do you think Jackson may be assuming another name? I would have found him already.

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When I start off to find somebody, I find them. That's why they pay me.

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What is baker paying you?

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That your family?

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Yes.

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Nice family.

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What does he pay you for murdering me?

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$500. To get the name! The name!

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Carson.

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Bill Carson. That's what he calls himself now.

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