The Godfather Part II

The Godfather Part II is a 1974 American epic crime film. The film is produced and directed by Francis Ford Coppola, loosely based on the 1969 novel The Godfather by Mario Puzo, who co-wrote the screenplay with Coppola. It is both a sequel and a prequel to the 1972 film The Godfather, presenting parallel dramas: one picks up the 1958 story of Michael Corleone (Al Pacino), the new Don of the Corleone family, protecting the family business in the aftermath of an attempt on his life; the prequel covers the journey of his father, Vito Corleone (Robert De Niro), from his Sicilian childhood to the founding of his family enterprise in New York City. The ensemble cast also features Robert Duvall, Diane Keaton, Talia Shire, Morgana King, John Cazale, Marianna Hill, and Lee Strasberg. Following the success of the first film, Paramount Pictures began developing a follow-up, with many of the cast and crew returning. Coppola, who was given more creative control, had wanted to make both a sequel and a prequel to The Godfather that would tell the story of the rise of Vito and the fall of Michael. Principal photography began in October 1973 and wrapped up in June 1974. The Godfather Part II premiered in New York City on December 12, 1974, and was released in the United States on December 20, 1974, receiving divisive reviews from critics; its reputation, however, improved rapidly, and it soon became the subject of critical re-appraisal. It grossed $48 million in the United States and Canada and up to $93 million worldwide on a $13 million budget. The film was nominated for eleven Academy Awards, and became the first sequel to win Best Picture. Its six Oscar wins also included Best Director for Coppola, Best Supporting Actor for De Niro and Best Adapted Screenplay for Coppola and Puzo. Pacino won Best Actor at the BAFTAs and was nominated at the Oscars. Like its predecessor, Part II remains a highly influential film, especially in the gangster genre. It is considered to be one of the greatest films of all time, as well as a rare example of a sequel that rivals its predecessor. In 1997, the American Film Institute ranked it as the 32nd-greatest film in American film history and it retained this position 10 years later. It was selected for preservation in the U.S. National Film Registry of the Library of Congress in 1993, being deemed "culturally, historically, or aesthetically significant". The Godfather Part III, the final installment in the trilogy, was released 16 years later in 1990.

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Hey! Everybody, pay attention. This is my friend Carlo Rizzi.

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-You know my brother Fredo. -Sure. This is my stepbrother Tom, and that's his girl Theresa. This cute little thing is my sister Connie. Say hello to Carlo. He's good-looking, isn't he? Yes. The droopy thing is Mike. We call him Joe College.

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Sit down. Talk to each other. Hey, Mr. Einstein...

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-The cake. -Sally, get in here! -I was scared. -Come on.

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-Where's your father? -Christmas shopping. Let's see that thing.

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That's nice! -Should I put the candles on now? -Yeah. You help her, Carlo.

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-What is that? Rum? -Yeah.

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Don't touch the antipasto until Pop sees it. He's not ugly...

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What do you think of the nerve of those Japs? Bombing us on Pop's birthday. They didn't know it was Pop's birthday. Not surprising after the oil embargo. They've got no right dropping bombs! Are you a Jap-lover? -30,000 enlisted this morning. -Bunch of saps... -Why are they saps? -Let's not talk about the war.

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You talk to Carlo.

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Only saps risk their lives for strangers. -That's Pop talking. -You're right, that's Pop talking! -They risk their lives for their country. -Country isn't your blood. -I don't feel that way. -Then quit college andjoin the army! I did.

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I've enlisted in the Marines.

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-Why didn't you come to us? -What do you mean? -Pop managed to get you a deferment. -I didn't ask for it.

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I didn't want it.

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Come on! Knock it off! -Punk! -Sonny, sit down.

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Mommy, Daddy's fighting again!

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Go and show Carlo the tree.

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Nice. Nice.

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Break your father's heart on his birthday.

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That's swell, Mike. Congratulations. Don't encourage him! Get me a drink. Go on!

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