FREYA: I'm Freya. Welcome to Denmark, Mr. Helm. These are for you. Street maps, places of interest. This is for you too. [AUDIENCE CHUCKLES] - HELM: What year was that? - FREYA: 1949. HELM: That's a very good year. FREYA: I'm here to help any way I can. Very nice of you. Is there anything you'd like me to do? - Yes, a couple things. - Yes, sir. Would you mind getting off my camera case, please? - Oh, I'm sorry. - Oh, that's all right. - FREYA: I'm so sorry. - HELM: That's okay. I'm sorry about...
Once Upon a Time in Hollywood
9.6s
This is some kind of hotel you've got here. [ALL LAUGH] HELM: Half a bottle is better than none. [AUDIENCE CHUCKLES]
Once Upon a Time in Hollywood
3.9s
Welcome to Denmark. - [AUDIENCE CHUCKLES] - [UPBEAT THEME PLAYING]
Once Upon a Time in Hollywood
4.5s
MAN: Morning, partner. WOMAN: Probably come by to see you later.
Once Upon a Time in Hollywood
5s
- Mr. Helm? - Yes? Oh! [AUDIENCE LAUGHS]
Once Upon a Time in Hollywood
2.1s
[PEOPLE CHATTERING INDISTINCTLY]
Once Upon a Time in Hollywood
2.1s
[WOMAN VOCALIZING]
Once Upon a Time in Hollywood
2.1s
[BELL TOLLING]
Once Upon a Time in Hollywood
1m2s
What do I always say? Most important thing in this town is, when you're making money, you buy a house in town. You don't rent. Eddie O'Brien taught me that. Hollywood real estate means you live here. You're not just visiting, not just passing through. - You fucking live here. - [CHUCKLES] Here I am flat on my ass, and who I got living next door to me? The director of Rosemary's fucking Baby, that's who. Polanski, the hottest director in town right now, probably the world. - He's my next-door neighbor. - [CHUCKLES] I mean, shit. I mean, who knows what could happen? I could... I could be one pool party away f-from starring in a new Polanski movie. So you're feeling better now? Aw, yeah, yeah. Sorry about all that. Give me my glasses back. Oh, come get them, fucker. Come... All right, all right, Audie Murphy, relax. - There you go. - You need me for anything else? Nah, nah, nah. I got a lot of lines to learn for tomorrow. - Shit. All right. - All right. I'm gonna get my carcass on home. - All right. - All right, 7:15 a.m. - Seven-fifteen. - Out the door. - Out the door. - In the car. All right, see you then. [DOOR CLOSES]
Once Upon a Time in Hollywood
3.2s
MAN 1: Yeah! Whoo! Whoo!
Once Upon a Time in Hollywood
15.9s
Oh, Cass! Yeah!
Once Upon a Time in Hollywood
2.1s
[ENGINE REVVING]
Once Upon a Time in Hollywood
1.5s
WOMAN: Yeah, baby!
Once Upon a Time in Hollywood
1.7s
MAN 2: Oh, yeah.
Once Upon a Time in Hollywood
1.8s
[MAN LAUGHS]
Once Upon a Time in Hollywood
2.1s
[♪♪♪]
Once Upon a Time in Hollywood
3.5s
[♪♪♪]
Once Upon a Time in Hollywood
1m1s
Look, just put him in the wardrobe, all right? What's it gonna hurt? Then if you need him, you got him. But then I gotta have a conversation with that wardrobe assistant, - and, man, she's a fucking bitch. - I just don't... Please, I... Look, Randy, I'm asking you to help me out, man. If the answer's no, the answer's no, not no with excuses. Hey, man. This ain't a fucking Andy McLaglen picture, you know? I can't afford to hire a bunch of guys to smoke cigarettes and sit around talking to each other all day on the chance that I might use them. I got a four-man team here, Rick. If I need more than that, I gotta get it approved. And, you know, I gotta look after my dudes. Hey, and if your dudes were a better match for me, I'd say, "Okay, you got me," but-but that's not the case, and you know it. - He's a great match for me. - Yeah, no... Hey, you could do anything you want to him. Throw him off a building, right? Light him on fire. Hit him with a fucking Lincoln, right? Get creative. Do whatever you want. He's just happy for the opportunity. - Rick. - Yeah?