Hurtling through the air towards a new life and uncertain future, Rick was really not sure about what lay ahead for him.
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[SLURPING]
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[CLIFF GRUNTS]
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Francesca! Francesca, honey!
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CALEB: Come on in, Boston. [CALEB CHUCKLES] See, honey? I told you they'd come to parlay.
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[CLICKS TONGUE]
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That's way better. Why is that way better?
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[LAUGHS]
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But you just get paid for the day - that you cut his hair? - No, no, no. I get paid $1000 a day. I get paid $1000 the day I arrive. - I get paid $1000... - NARRATOR: At El Coyote, margaritas and good times were had by all, except Sharon. Sharon was experiencing a touch of pregnancy-induced melancholy. Not only that, it was later reported that it was the hottest night of the year, and it made her feel especially pregnant in all the worst ways. JAY: I don't want to party anymore. I am tired. [SLURRING] Because he got it done. No, it's not... It's not because he just got it done. He had just as much time as all the rest of the goddamn directors. What he did with that time... That's what counted. NARRATOR: At Casa Vega, Rick and Cliff drank so much that, when they left, they left the Cadillac there and took a cab home. The greatest action director, underrated guy of all time. NARRATOR: Around 10, Sharon and her friends left El Coyote and arrived back at her house.
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SHARON: You've had, like, 19 margaritas. [PLAYING PIANO] NARRATOR: The four of them hung out a little longer, with Abigail even playing the piano for them... ♪ Don't get me mad Don't tell no lie ♪ ♪ Don't make me sad Don't pass me by ♪ ♪ Baby, are you holding ♪ ♪ Holding anything but me? ♪ ♪ 'Cause I'm a real Straight shooter ♪ ♪ If you know what I mean ♪ ♪ You can bring me love You can hang around ♪ ♪ You can bring me up ♪ ♪ Don't you bring me down ♪ NARRATOR: ...until she returned to her room, smoked a joint and read a book. That was around 11.
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NARRATOR: It was after 11:45 by the time the yellow cab dropped Rick and Cliff in front of the house. RICK: Thank you. Right here. CLIFF: All right. Grazie, amigo. [RICK GRUNTS] - RICK: How much do I owe you? - DRIVER: Three dollars. NARRATOR: Brandy was glad to see them return. - Thank you, brother. - Thanks. [SPEAKS ITALIAN] [IN ENGLISH] More margaritas.
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I mean, where the fuck are we, man? We are in fucking Hollywood, man. The people an entire generation grew up watching kill people live here. And they live in pig-shit fucking luxury. I say fuck them. I say we cut their cocks off and make them eat it. [CHUCKLES] That's a great idea, Sadie.
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NARRATOR: At more or less the same time, Voytek laid on the couch watching American television and thought about how much better it was than Polish television, as he smoked a big joint.
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NARRATOR: Somewhere around 11:10, Sharon changed into her comfy house attire. - Feel better? - [SPUTTERS, SIGHS] That is drastically better.
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You two ready to kill some piggies? [SNORTING]
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[TV SHOW DIALOGUE]
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[FILM DIALOGUE]
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SAM: Give me evil, sexy Hamlet. Settle into it. - Enjoy it. - [CHUCKLES] And cut! - [BELL RINGS] - [SIGHS] Oh, boy. I didn't hurt you there, Marabella, - with that throw, did I? - No, no, no. I'm good. I got pads on. - [CHUCKLES] - And I throw myself on the floor just for fun, even when I'm not getting paid. CREWMAN: The gate's clean. Rick, Rick, Rick. [CHUCKLING] Put her there. - That was it. - Really? That was absolutely fantastic. - Oh, thank you. - I loved it. Your idea about throwing the little girl on the ground just worked like a charm. I figured you said Shakespeare, so... Yeah. That's right. That was... That's what I mean by "scare me." - Yeah. Yeah. Yeah. - Evil Hamlet scares people. - All right. - Oh, and by the way... - "Beaner bronco buster"? - Yeah. Where the hell did that come from? - I don't know. Improv. - That was wonderful. It was just... That was a triple alliterative improv. You don't hear those too often. - Okay? We're good. - All right. We don't...? - Don't need to go again? - We're done. - That was fantastic. - All right. Okay, moving on. We're in the bordello. ASSISTANT DIRECTOR: Next setup!