It's 5:00. Okay. Whatever. - Okay... Yep. - AMY: Question, question. Um, so this is the first base. Will we be going to second base with you guys?
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1.6s
(grunting)
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6.4s
(grunting and groaning continue) (panting) (elephant trumpeting on TV)
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7s
(grunting and groaning) Why? (grunting and groaning continue)
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3.6s
Go, Beca! (whooping)
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1m14s
You know, like the... Beat King, 'cause he's the... Oh, honey, that was... we didn't like that at all. THEO: It's awful. I know. Um, can you explain this, uh, terrifying situation? - What? What, my... the face? - Not your face. - Um, the thing behind you. - Oh, the apiary. - Hmm. - Oh, right, yeah, no, this is, uh, a portable beehive that Sunburst uses to harvest natural honey. Doesn't seem like a disaster waiting to happen. Yes, it can be. Oh, Beca, I got to show you something. You're gonna love this. Sure. - Yeah? - Yeah. - Let's do it. - I'll bring her right back. Oh... yeah, just her. Just borrow her for a second. Whatever. Ooh. Is that an AKG C-24? Yes, it certainly is. Incredibly rare. Madonna, Beyoncé, Joan Baez. Oh, I'm happy for them. That's nice. (chuckles) Yeah, the boss likes to be ready for whenever inspiration strikes him, - so we have this setup here. - Sure. Yeah, must be good to be really, really, really rich. Yeah. You want to give it a go? - No. - No? Couldn't possibly. Ooh. (through speakers): We're coming to you live. - (normal): Oh, that's nice. - Oh, we should've recorded that. Oh, she's a beaut. - What's this? - Oh, this is just... Khaled has a... a little loop going. - You want to hear it? - Okay. (simple beat playing)
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1.8s
- BECA: Aw. - THEO: Oh, that's nice.
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3.9s
(a cappella intro to Britney Spears' "Toxic")
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3.9s
(a cappella Universal theme)
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1m27s
Hola. Uh, hola. Um... - Uh, excusez-moi. - Bonjour. Ciao. - No hablo... - Inglese? Konnichiwa? - The... - Sa-na-ma-na-ma? You're English. Hi. That's right. I saw you do the, uh, sound check, - um, thing that you guys... - Yeah. The riff-off thing. - Riff-off. - Yeah. I don't know why we keep challenging people to those. We... we don't ever actually win. - Oh. - Do you work for the USO? Uh, no, I-I work for DJ Khaled. Sorry. I'm-I'm Theo. - Hi. I'm Beca. - Hi. - Nice to meet you. - How you doing? Sorry, you are a... - Oh, I'm a... - Music executive? ...music exec at Khaled's label. - Really? - Yeah. - What? - No, I-I... I work with music executives, and you... they... they don't look like you. Oh. What... what do I look like? A turtle. Well, that's in... incredibly specific. But, like, you literally look just like that. No, no. It's accurate. You said you work with music execs. Oh. Yeah. Um, no, I'm a... (chuckles) I'm a music producer. I'm sort of freelancing right now. Oh, and I sing for fun. I'm interested to see the Bellas in action. Yeah, maybe we'll even open for DJ Khaled in the end. You don't think you'll open for Khaled? Uh, no, I-I... I didn't say that. Yeah, you did. You did. You just said it before. You kind of implied it, if anything. - Well, I just... - I could just tell him that you sing for fun, if you like. No, I-I was just trying to... I-I'm-I'm... I'm gonna go now. I'll see you later, but I'll be watching. - Okay. - Good luck. See you.
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4.5s
Yay! (chuckles) (whooping, excited chatter)
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11s
♪ Intoxicate me now ♪ ♪ With your lovin' now ♪ ♪ I think I'm ready now ♪ ♪ Now, toxic. ♪
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26.3s
AUBREY (sighs): So... Emily, is it true what you said back there? Are you really not writing anymore? Well, not... I mean, not right now. Anyway, I've got 21 credits that I'm taking this semester. The GRE is coming up. It's right around the corner. Uh, and... I got a hamster now. Aw. That's amazing. Well, don't give up. My dad always says, "Age wrinkles the body, but quitting wrinkles the soul." Hmm.
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30s
GAIL: Here we are. The final show, the conclusion of the USO Tour in the South of France, coming to you from the Citadel. What a gorgeous setting here tonight under the stars. Isn't this beautiful? Doing a wonderful musical presentation in a bunker. In the South of France. I mean, it's so romantic here. I've never been to France. I hope never to come back. Oh, no, it's not a place for you. Oh, no, no. There's no good people here. No, no. On your toes, folks. We're on in ten. First positions.