JOHN: Well, it's a big night for the Bellas, Gail. GAIL: First stop on the tour... Rota, Spain. Here we go. Young Sparrow! (trilling) Attention! ♪ Girl, don't keep me waiting now ♪ ♪ Need you to shake it, turn and break it down ♪ ♪ Yeah, you know you got 'em now ♪ ♪ Got, got 'em now ♪ They're so... dope. You guys, this is the first time we're performing together in three years. - It's gonna be so much fun. - Let's do this. ♪ You're my only temptation, I'm too gone, I'm too faded ♪ ♪ I've two shots, so don't place that workout ♪ ♪ Now can I hear you say whoa now? ♪ ♪ Let's party, girl... ♪
Pitch Perfect 3
7.1s
All right, time to drop a smash. - What? - Oh, no, no, no. - Whoo! - Wait. - Think it's a whole album. - Oh, no, no, no, no, no, no.
Pitch Perfect 3
2.9s
(whistling Chicago's "Hard to Say I'm Sorry")
Pitch Perfect 3
1m50s
- Oh. - Mm-hmm. - ♪ Oh ♪ - ♪ I wish that I could fly ♪ - ♪ I could fly ♪ - ♪ So very high ♪ - ♪ Very high ♪ - ♪ Into the sky, yeah ♪ ♪ Just like a dragonfly ♪ ♪ I want to, I want to ♪ ♪ I want to get away ♪ - Yeah, well, get away, then. - ♪ I want to fly away ♪ ♪ Yeah, yeah, yeah ♪ - ♪ I stopped using my head, using my head ♪ - Hey. - ♪ Let it all go ♪ - ♪ Let it all go ♪ ♪ Got you stuck on my body, on my body like a tattoo... ♪ - You can't use those sticks. - Yeah, you can't use that. We like to keep it strictly oral. ♪ Coming back to you ♪ ♪ You can call me any day or night ♪ - ♪ Call me ♪ - ♪ Call me ♪ You're not on the same team. I just figured out what he reminds me of. - Ronald McDonald. - Separate teams! - ♪ Call me ♪ - ♪ Call me ♪ - Separate teams! - ♪ Oh, love ♪ - ♪ Love me harder ♪ Oh, okay. ♪ And if you really need me ♪ ♪ You gotta, gotta, gotta, gotta ♪ ♪ Got to love me harder ♪ ♪ Gotta love me harder ♪ ♪ Ooh, ooh, ooh, ooh ♪ ♪ Love me, love me, love me ♪ ♪ Ooh, ooh, ooh, ooh ♪ ♪ Harder, harder, harder ♪ - ♪ Ooh, ooh, ooh, ooh ♪ - ♪ Ooh... ♪ - ♪ If I were a boy ♪ - What? What the...? ♪ Even just for a day ♪ AUBREY: Beyoncé's not Jewish. Okay, you guys aren't even in a group. - What? - ♪ I'd roll out of bed ♪ ♪ In the morning and throw on what I wanted and go ♪ Hey, guys, still need that level check for vocals. - Okay. - Hey, hey, hey, we're not done yet. Oh, baby, we're just getting started. AUBREY: Come on, we gotta do this. We gotta think of something. All right, next category. "Zombie apocalypse."
Pitch Perfect 3
2m10s
♪ Another head hangs lowly ♪ ♪ Child is slowly taken ♪ ♪ And the violence caused such silence ♪ ♪ Who are we mistaken? ♪ ♪ With their tanks and their bombs and their bombs ♪ - ♪ And their guns ♪ - They can't use the-the drums. ♪ In your head, in your head ♪ ♪ They are crying ♪ ♪ In your head ♪ - ♪ In your head ♪ - That's a guitar, man. ♪ Zombie, zombie ♪ - ♪ Zombie-ie-ie... ♪ - ♪ What doesn't kill you ♪ ♪ Makes you stronger, stand a little taller ♪ ♪ Doesn't mean I'm lonely when I'm alone ♪ - Th-They're singing together? - ♪ What doesn't kill you ♪ ♪ Makes a fighter, footsteps even lighter ♪ ♪ Doesn't mean I'm over 'cause you're gone ♪ ♪ I'd catch a grenade for you ♪ ♪ Yeah, yeah, yeah ♪ ♪ Throw my hand on a blade for you ♪ - ♪ Yeah, yeah, yeah ♪ - ♪ Jump in front of ♪ - ♪ A train for you... ♪ - What are we gonna do? We have to... we have to do something. - What? - We have to do something. ♪ I'd do anything for you ♪ ♪ Yeah, yeah, yeah ♪ ♪ But I'm only human ♪ ♪ And I bleed when I fall down ♪ ♪ I'm only human ♪ ♪ And I crash and I break down ♪ ♪ Your words in my head, knives in my heart ♪ - (feedback, distortion) - ♪ You fill me up ♪ - ♪ And then I fall apart... ♪ - (fiddle playing) ♪ Wake me up when it's all over ♪ - ♪ Zombie-ie-ie ♪ - ♪ When I'm wiser ♪ - ♪ And I'm older ♪ - ♪ Yeah, yeah, yeah ♪ ♪ All this time I was finding myself ♪ ♪ And I... ♪ They just disqualified themselves - by using musical instruments. Good job. - Yeah. - We won, guys. - We should go. - Whoo! We won! - That's not entirely accurate. - We didn't break any of the rules, so... - Let's go. We won. Bellas are doing what they do best... quitting. GAIL: Here's the problem, John. The Bellas are not as good as the other bands. JOHN: That is a startling insight. ♪ Yeah, yeah, yeah. ♪ ♪ ♪
Pitch Perfect 3
56.8s
♪ I'm comin' up ♪ ♪ So you better get this party started ♪ ♪ I'm comin' up, I'm comin' ♪ ♪ I'm comin' up, so you ♪ ♪ Don't you dare look back, just keep your eyes on me ♪ ♪ I said, "You're holding back" ♪ ♪ She said, "Shut up and dance with me" ♪ ♪ Give me that toot-toot ♪ ♪ Let me give you that beep-beep ♪ ♪ Running her hands through my fro ♪ ♪ Bouncing on 24s while they say on the radio ♪ ♪ It's the remix to ignition, hot and fresh out the kitchen ♪ - ♪ Mama rollin' ♪ - ♪ Rollin' in my 6-4 ♪ - ♪ Bada-bop ♪ - ♪ With all my Bellas saying ♪ ♪ Swing down, sweet chariot, stop and let me ride ♪ - ♪ Hell yeah ♪ - ♪ Swing down ♪ ♪ Sweet chariot, stop and let me ride ♪ ♪ Let me ride... ♪ (holding high note) Is that feedback? (continues holding note)
Pitch Perfect 3
2m28s
And then, maybe a few days later, we'll go to third base? - (Amy chuckles) - That's a "no" for me, so... Wait, what's after the third base? Why don't we get you to your first venue? Come on. CHICAGO: All right, well, we are really excited to have you here. Right now we're in Hangar Three. This is where we keep all of our helicopters. Of course, now we've got the big stage built up for the tour. So, on the tour, we've got three bands. Over here, we got Saddle Up. This is Young Sparrow and DJ Dragon Nutz. And behind me is Evermoist. - (quiet chatter) - CHICAGO: Oh! And check it out. DJ Khaled just rolled in. GAIL: Let's set the stage, all right? - Let's get ready before the... - So we should turn around - and shoot into it, I think. - ...the Bellas out. - Get the Bellas... - CHICAGO: Hey, guys. Come say hey to the new group. - Yo. - Hi. - LILLY: Oh. AUBREY: Hello. We're the Bellas, formerly of Barden University and currently of life. - Ladies. - Howdy. - Hey. - Hey. - DJ DRAGON NUTZ: Ladies, I want to give you a little forewarning. My man's social anxiety, when he's not behind the turntables, it's kind of crazy. - So be easy, all right? - Hello. - Hi. ♪ Hello ♪ ♪ Is it me you're looking for? ♪ Right on. I'm Calamity. This is Serenity, Veracity and Charity. - Hi. - Hey. - AMY: Hi. If I joined your group, I could be Obesity. (Amy chuckles) - Get it? - SERENITY: Oh, if you're wondering, - our presence here has nothing to do with... - Nothing. ...the nationally televised "Salute to the Troops" special where DJ Khaled is going to pick one group to open for him at the end of this tour. That was a lot of exposition. So there is a competition. I knew it. - And so there is. - Idiots! GAIL: What, do you think we care about just watching you guys? It's a competition! Hello! You guys just sing other people's songs, right? - Like a cover band. - (chuckling): No, no, no, no. - No. - Uh, no, no, no. Uh, well, actually, Emily writes original songs for the Bellas. I mean, I don't really do it anymore. - I kind of did that one, and then I... - Hey. Hey, hey, hey, hey. You with us or against us? And it was one of your dads who gave you the spot on the tour, right? - (gasps) Oh, my God. - Um... - Ooh... - EMILY: Guys, stop. They just don't like sharing the spotlight, so they're trying to intimidate us. Let's just take the high road and do what we do. You thinking what I'm thinking? What are you thinking? - A riff-off. - (gasping) - That's not what I was thinking. - A riff-off! Wait. Yes. A riff-off! Yes! - What is a riff-off? - Yeah. A riff-off is a little game that we like to play to see who's better. - Mm-hmm. - We start with a topic. Um... - Let's say "party songs." - Ooh. - Nice. Yeah, and then we lay down a beat. - GAIL: Oh, yeah, bring it, Bellas! - (John chuckling) - Oh, go, ladies. - (beatboxing)
Pitch Perfect 3
22.2s
(Amy retches) (coughing) (retches) - (spits) - (Aubrey groans) Sorry, I forgot where we were in the conversation. Next time, when you're trying to impress DJ Khaled, try to have some dignity. Uh, we never do anything with dignity, so... Hey, where'd you go last night?
CHLOE: Yeah, so you guys saw what we did there, right? - Yeah. - So... it's singing. CHLOE: No, well... (chuckles) We just took the last word of the old song and matched it with the first word of the new song, but you stay on tempo, stay on beat, stay on pitch and, of course, - keep it in the relative key. - CALAMITY: That was great. - That was really well done. - Yeah. AUBREY: Okay, okay. Round two. Let's keep it simple this time. What about... "artists you didn't know were Jewish"? - Mm. - That was crazy. - What? - Let's do this. - Let's do this. - Okay. (beatboxing)
Pitch Perfect 3
18s
Bellas! Make some noise for Bellas out there! Whoo! What a fitting swan song for the Barden Bellas. Yes, and as these young women approach 30 and cease to be of value as human beings, perhaps this is the bittersweet memory they will take into the bar with them. (French pop song playing)
Pitch Perfect 3
14.6s
General Douglas. What an honor. - General. - Good to see you. - There's that guy. Hide. - What? Why are we hiding? I don't know. Dude, what is... What is this about? What are you guys doing?