And then, maybe a few days later, we'll go to third base? - (Amy chuckles) - That's a "no" for me, so... Wait, what's after the third base? Why don't we get you to your first venue? Come on. CHICAGO: All right, well, we are really excited to have you here. Right now we're in Hangar Three. This is where we keep all of our helicopters. Of course, now we've got the big stage built up for the tour. So, on the tour, we've got three bands. Over here, we got Saddle Up. This is Young Sparrow and DJ Dragon Nutz. And behind me is Evermoist. - (quiet chatter) - CHICAGO: Oh! And check it out. DJ Khaled just rolled in. GAIL: Let's set the stage, all right? - Let's get ready before the... - So we should turn around - and shoot into it, I think. - ...the Bellas out. - Get the Bellas... - CHICAGO: Hey, guys. Come say hey to the new group. - Yo. - Hi. - LILLY: Oh. AUBREY: Hello. We're the Bellas, formerly of Barden University and currently of life. - Ladies. - Howdy. - Hey. - Hey. - DJ DRAGON NUTZ: Ladies, I want to give you a little forewarning. My man's social anxiety, when he's not behind the turntables, it's kind of crazy. - So be easy, all right? - Hello. - Hi. ♪ Hello ♪ ♪ Is it me you're looking for? ♪ Right on. I'm Calamity. This is Serenity, Veracity and Charity. - Hi. - Hey. - AMY: Hi. If I joined your group, I could be Obesity. (Amy chuckles) - Get it? - SERENITY: Oh, if you're wondering, - our presence here has nothing to do with... - Nothing. ...the nationally televised "Salute to the Troops" special where DJ Khaled is going to pick one group to open for him at the end of this tour. That was a lot of exposition. So there is a competition. I knew it. - And so there is. - Idiots! GAIL: What, do you think we care about just watching you guys? It's a competition! Hello! You guys just sing other people's songs, right? - Like a cover band. - (chuckling): No, no, no, no. - No. - Uh, no, no, no. Uh, well, actually, Emily writes original songs for the Bellas. I mean, I don't really do it anymore. - I kind of did that one, and then I... - Hey. Hey, hey, hey, hey. You with us or against us? And it was one of your dads who gave you the spot on the tour, right? - (gasps) Oh, my God. - Um... - Ooh... - EMILY: Guys, stop. They just don't like sharing the spotlight, so they're trying to intimidate us. Let's just take the high road and do what we do. You thinking what I'm thinking? What are you thinking? - A riff-off. - (gasping) - That's not what I was thinking. - A riff-off! Wait. Yes. A riff-off! Yes! - What is a riff-off? - Yeah. A riff-off is a little game that we like to play to see who's better. - Mm-hmm. - We start with a topic. Um... - Let's say "party songs." - Ooh. - Nice. Yeah, and then we lay down a beat. - GAIL: Oh, yeah, bring it, Bellas! - (John chuckling) - Oh, go, ladies. - (beatboxing)
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♪ I'm comin' up ♪ ♪ So you better get this party started ♪ ♪ I'm comin' up, I'm comin' ♪ ♪ I'm comin' up, so you ♪ ♪ Don't you dare look back, just keep your eyes on me ♪ ♪ I said, "You're holding back" ♪ ♪ She said, "Shut up and dance with me" ♪ ♪ Give me that toot-toot ♪ ♪ Let me give you that beep-beep ♪ ♪ Running her hands through my fro ♪ ♪ Bouncing on 24s while they say on the radio ♪ ♪ It's the remix to ignition, hot and fresh out the kitchen ♪ - ♪ Mama rollin' ♪ - ♪ Rollin' in my 6-4 ♪ - ♪ Bada-bop ♪ - ♪ With all my Bellas saying ♪ ♪ Swing down, sweet chariot, stop and let me ride ♪ - ♪ Hell yeah ♪ - ♪ Swing down ♪ ♪ Sweet chariot, stop and let me ride ♪ ♪ Let me ride... ♪ (holding high note) Is that feedback? (continues holding note)
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CHLOE: Yeah, so you guys saw what we did there, right? - Yeah. - So... it's singing. CHLOE: No, well... (chuckles) We just took the last word of the old song and matched it with the first word of the new song, but you stay on tempo, stay on beat, stay on pitch and, of course, - keep it in the relative key. - CALAMITY: That was great. - That was really well done. - Yeah. AUBREY: Okay, okay. Round two. Let's keep it simple this time. What about... "artists you didn't know were Jewish"? - Mm. - That was crazy. - What? - Let's do this. - Let's do this. - Okay. (beatboxing)
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How do you say it... "Where is the bar"? - FLO: ¿Dónde está la barra? - Oh, it's so cute. - "¿La barra?" - Barra. Barra. - Smells so nice. So nice! Oh, you're so beautiful. AMY: Okay, stick with me, 'cause I know so much Italian. - Okay. - Gelato. Margherita. - Ravioli. - Amy, we're in Spain.
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- (gasps) - (screams) (bees buzzing) (screaming) Someone open a window! - What is wrong with this door? - I don't know!
That is great. You are not gonna regret this. I... The Bellas are gonna die. Can I go tell them? THEO: I-I think you misunderstood. Uh, what DJ Khaled's trying to say here is that he doesn't want the Bellas. We want you. - What? - DJ KHALED: The other day, when you was just playing around with the loop and you was singing and you was just... I could tell that you was just playing around, but... I seen something, I heard something, then I felt something. Amidst the chaos, I went back in the room, and I pulled your recording. Why did you do that? Because I wanted to know what you could do on your own. Beca, it's time to go to the next level. I see it. I'm DJ Khaled, aka Billy. - Who? - I know these things. That is so amazing. That means the world to me, honestly. But I'm part of a group, and we all have something special. I respect that you love your group, but it's time for you to move on. It's time for you to grow. It's time for you to climb that mountaintop and reach the top. And the group will be happy for you. What Khaled is trying to say here is that you've really gone as far as you can with the girls. It's time for you to now flourish on your own. Independent... ly. DJ KHALED: These ain't opinions. These are facts. Yes. Come with me a second. Bless up. Listen, I... I know it's a lot - to take in, okay? - Uh, yeah. The label is gonna sign you, Beca. The label's gonna sign you. They're gonna help you - develop your own material as a solo act. - Uh, yeah... Th-This is very generous, but we're talking about my family. - I'm-I'm... I'm not interested. - It's... - It's a tough decision. I get that. - No, it's not. It is. It is. It's a big opportunity for you. All right? Look at me. Stop. What are you doing?
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♪ Step one, take his pictures off the wall ♪ ♪ Getting myself up after the fall, the fall ♪ ♪ I'll be better off after all ♪ ♪ When the pain's a hundred proof ♪ ♪ There are ways to change the mood ♪ ♪ It's good, getting it like I should ♪ ♪ Mr. What's-His-Name, but they're all the same ♪ ♪ Mr. What's-His-Name ♪ ♪ I'm gonna smile when it hurts ♪ ♪ Going out tonight with all of my girls ♪ ♪ Party till I can't see straight ♪ ♪ This is how a heart... ♪ Wow, they can really shred. They're better than Saddle Up even. Yeah, okay. So they're pretty and polished and sexy and, like... I don't know, I was just listing stuff, and now I'm sad. Hey, you guys are up next. - Oh. - Good. - Great. - I'm glad. (playing guitar solo)
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- How beautiful. - Oh, thank you. - So nice to meet you. - ASAP! Need a drink for Beca, ASAP! Have a seat. Make yourself at home. BECA: Oh, my God. - Thank you. - Just... - Yeah. - Here you go, mademoiselle. Thank you. I hope you like cherries. Beca, have you been talking to my guy, Theo? Yeah, he talks a lot. But I have no idea what's going on. He doesn't actually give me that much information. I thought maybe you could break the news. Congratulations. (whispers): On what? I want you to open up for me. Tomorrow night. Beca. DJ Khaled. Are you ready?
- (song ends) - (cheering and applause) ANNOUNCER: Thank you, Saddle Up. And now, one of the hottest new groups on the scene. They are Evermoist. (cheering and applause) Evermoist? Who came up with that name? (groans) My bum crack's a bit dry. Does anyone have an Evermoist towelette? (Chicago sighs) My grandma's in a band right now... Nevermoist. Oh, God. (playing up-tempo pop-rock intro)
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General Douglas. What an honor. - General. - Good to see you. - There's that guy. Hide. - What? Why are we hiding? I don't know. Dude, what is... What is this about? What are you guys doing?
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Theo, my guy. Magical ears. - Beca. - H-Hello.
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- Seriously? - Yeah.
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What, uh, you mean when you were burning down the hotel? Dude, where were you? Okay. I was with my father, all right? Wait, your dad? He's been trying to track me down for years, and last night, he found me. Why are you running from him? I wish my dad would pay attention to me. Because my dad wasn't a very nice man. So, when I was 18, I had to run away, which was a real bitch because of the chafing. And now he has found me, and I don't know what to think. I mean, I-I think that's amazing, and so should you. I mean, it-it's... it's a crazy thing. He's finally found you after all these years? Now you can rekindle the relationship, and-and it could be even stronger than it was. And maybe he was not a very nice guy before, but maybe he is now, and maybe he's amazing - and wonderful and he wants... - Okay, Emily, you are so shrill - and inarticulate! - No, no! - (frantic chatter) - (cell phone ringing) Hello? Oh, it's Stacie. Stacie! Stacie's calling me on FaceTime. - You guys! Stop. Get over here. - What, Stacie? - Oh, hello? - Wait. Right over here. - Oh, hi, hi, hi. - You guys! - Guys! - Oh! - Hi. - Stace! - Where are you? - Stacie, it's going terrible here. Yeah, we getting our asses handed to us. Guys, I had the baby. (Chloe gasps) - What? - Aw. He's so cute. She's a girl. Oh, okay, then average. CHLOE: What's her name? Baby Fat Amy or Baby Fat Patricia. - You can choose. - No, no, listen. I know I've always been your favorite. - (overlapping chatter) - Guys.
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1m25s
♪ I don't like it ♪ ♪ I love it, love it, love it ♪ - ♪ Uh-oh ♪ - ♪ Uh-oh ♪ ♪ So good it hurts ♪ ♪ 'Cause I don't want it ♪ ♪ I gotta, gotta have it ♪ - ♪ Uh-oh ♪ - ♪ Uh-oh ♪ ♪ I can't find the words, I just go ♪ (vocalizing upbeat melody) JOHN: Well, these Bellas actually seem to be enjoying themselves, Gail. GAIL: I think it's possible the Bellas could be picked by DJ Khaled. JOHN: You can say that again, and I hope you won't. GAIL: Well, the soldiers are loving them. JOHN: Let's see if you can keep this up, girls. ♪ All night, let me group ya ♪ ♪ Dance with me, turn down for who, girl? ♪ ♪ Another runner help us step the moves up, yeah ♪ ♪ Bet that round need a measure or ruler ♪ ♪ Celebrate life and I'll pay for it ♪ ♪ That Cavalli nice next to my Tom Ford ♪ ♪ Yeah, party all night, let's all aboard ♪ - ♪ Let's all aboard, all aboard ♪ - ♪ Whoo, whoo ♪ ♪ I don't like it, I love it ♪ ♪ And them other girls, they can't touch it ♪ ♪ Competition, that's a whole nother subject ♪ ♪ I want to walk it out in public ♪ ♪ You a star, baby, just go, let's go ♪ ♪ To the mansion or the condo, let's go ♪ ♪ Perfect time, gotta let it flow ♪ ♪ You know I'm watching, I'm watching ♪ - ♪ Oh ♪ - ♪ I don't like it ♪ ♪ I love it, love it, love it ♪ - ♪ Uh-oh ♪ - GAIL: Catch me! Everybody, catch me! (laughs) I got a little bit of your panties, but who hasn't? (laughter) - JOHN: Catch me. - Yeah! - (cheering) ♪ When I can't find the words, I just go ♪ (vocalizing upbeat melody)