- Are those projections his subconscious? - Yes. - Are you destroying parts of his mind? - No. They're just projections.
Inception
5.3s
Hey. You ready? Yes, yes. I'm fine. I'm ready.
Inception
1.7s
We were lost in here.
Inception
1.3s
[KNOCKING ON DOOR]
Inception
33.5s
Five, two- It was something, it was a long number. That's good. We can start there. Fifth floor. Yep. - So do you use a timer? - No, I have to judge it for myself. While you're all asleep in 52$, I wait for Yusuf's kick. - Well, how will you know? - His music warns me. And then when the van hits the barrier of the bridge, that should be unmistakable. So we get a nice synchronized kick. If it's too soon, we won't get pulled out. But if it's too late, I won't be able to drop us. - Well, why not? - Because the van will be in freefall.
Inception
9s
Don't jump too soon. We only got one shot at that kick. We gotta make it. I'll play the music to let you know it's coming. The rest is on you. - You ready? - Ready!
Inception
2.8s
- Just be back before the kick. - Go to sleep, Mr. Eames.
Inception
1.6s
Remember what I said to you.
Inception
1.5s
[GUNSHOT]
Inception
2m16s
- Right. - You can't build because if you know the maze then she knows it. Well, she'd sabotage the whole operation. Cobb, do the others know? No. No, they don't. You've gotta warn them if this is getting worse. No one said it's getting worse I need to get home. That's all I care about right now Why can't you go home? Because they think I killed her Thank you For what? For not asking whether I did I will split up my father's empire Now, this is obviously an idea that Robert himself would choose to reject which is why we need to plant it deep in his subconscious. The subconscious is motivated by emotion, right? Not reason. We need to find a way to translate this into an emotional concept. How do you translate business strategy into emotion? That's what we're here to figure out Robert's relationship with his father. ...is stressed, to say the least Can we run with that? We suggest breaking up his father's company as a "screw you" to the old man No, because I think positive emotion trumps negative emotion every time. We all yearn for reconciliation, for catharsis. We need Robert Fischer to have a positive emotional reaction to all this All right, well, try this. Um "My father accepts that I want to create for myself, not follow in his footsteps." That might work Might? We're gonna need to do a little better than "might." Thank you for your contribution, Arthur Forgive me for wanting a little specificity, Eames Specificity? Inception's not about being specific When we get inside his mind, we're gonna have to work with what we find EAMES: On the top level, we open up his relationship with his father... .and say, "I will not follow in my father's footsteps." Then the next level down, we feed him "I will create something for myself." Then, by the time we hit the bottom level we bring out the big guns. - "My father doesn�t want me to be him EAMES: Exactly. [MACHINE HISSING] Three layers down, the dreams are gonna collapse with the slightest disturbance. Sedation For sleep stable enough to create three layers of dreaming... ...we'll have to combine it with an extremely powerful sedative [MACHINE HISSING]
Inception
43.2s
Right. Sc, what happens when we die? - We drop into limbo - Are you serious? - Limbo? ARTHUR: Unconstructed dream space ARIADNE: Well, what the hell is down there? - Just raw, infinite subconscious. Nothing is down there, except for what might have been left behind.. ...by anyone sharing the dream who's been trapped there before Which, in our case, is just you - How long could we be stuck? YUSUF: Can't even think about ...trying to escape until the sedation How long? Decades. It could be infinite. Ask him, he's the one who's been there ARTHUR: Let's get him upstairs [GROANING] Great Thank you So now we're trapped in Fischer's mind battling his own private army. And if we get killed we'll be lost in limbo till our brains turn to scrambled egg, hmm?
Inception
21.9s
No, she's dead What you see in there is just his projection of her What was she like in real life? She was lovely YUSUF: You are seeking a chemist? COBB: Yes. To formulate compounds for a job?
Inception
13s
And no matter what I do, no matter how hopeless I am... ...no matter how confused, that guilt is always there... ...reminding me of the truth. What truth?
Inception
6.2s
It's designed as a labyrinth. There must be access routes that cut through the maze. Eames?
Inception
1.6s
[SECURITY GUARD GRUNTS]
Inception
1.5s
[NASH YELLS]
Inception
1.7s
All right.
Inception
14.4s
- With a dilemma. - They're getting closer - You got what you came for COBB: Well, that's not true. You left out a key piece of information didn't you? You held something back because you knew what we were up to - Question is, why'd you let us in at all? - An audition.