- They had us in the back of a van. - That explains the gravity shifts. You're in the back of a van. Keep going. It had something to do with, um...
Inception
13.6s
No, no, no. That's Fischer's projection of Browning. Let's follow him and see how he behaves. - Why? - Because how he acts will tell us... ...if Fischer is starting to suspect his motives the way we want him to. Shh. [DOOR OPENS]
Inception
12.3s
And if we are gonna succeed in this... ...you have to forgive yourself, and you're gonna have to confront her. But you don't have to do that alone. - No, you're not... - I'm doing it for the others.
Inception
6.7s
Now, the easiest way for you to test yourself... ...is to try and remember how you arrived at this hotel. Can you do that?
Inception
6.6s
EAMES [OVER RADIO]: Well, what the hell do we do now? We finish the job before the next kick. - What next kick? - When the van hits the water.
Inception
3.9s
- We're here. - You're clear, but hurry. There's an entire army headed your way.
Inception
2.9s
- There's someone in there. - Fischer, it's a trap. Get out.
Inception
3.4s
I was telling you my story. I guess it wasn't to your liking.
Inception
3.4s
ARIADNE: Eames! Eames, get to the antechamber now!
Inception
5.7s
SOLDIER: Run! Turn around! Move to base! Move to base! Go, go, go!
Inception
7.9s
Look, you get him in there. As soon as the music ends, you blow up the hospital... ...and we all ride the kick back up the layers.
Inception
5.6s
Robert. You're trying to get that safe open? To get the alternate will?
Inception
12.7s
Can I trust you to do what needs to happen here? Mal's gonna be down there. I know where to find her. She'll have Fischer. - How do you know? - Because she wants me to come after him. She wants me back down there with her.
Inception
1.2s
All right?
Inception
2.8s
[''NON, JE NE REGRETTE RIEN'' PLAYING]
Inception
11.4s
Look what I've been building! - What are you building? JAMES: We're building a house on the cliff! COBB: On the cliff? Come on, I want you to show me. Can you show me? JAMES: Let's go. PHILLIPA: Come on, Daddy!
Inception
8.4s
And we will find him. Okay, as soon as Arthur's music kicks in, just use the defibrillator to revive him. We can give him his own kick down below.
Inception
45s
COBB: You've got the basic layout Bookstore, caf�. Almost everything else is here too ARIADNE: Who are the people? - Projections of my subconscious - Yours? - Yes. Remember, you are the dreamer You build this world. I am the subject. My mind populates it You can literally talk to my subconscious. That's one of the ways we extract information from the subject. How else do you do it? By creating something secure like a bank vault or a jail. The mind automatically fills it with information it's trying to protect - You understand? - Then you break in and steal it? Well I guess I thought that the dream space would be all about the visual... But it's more about the feel of it My question is what happens when you start messing with the physics of it all?
