Mal! Cobb! Wake me up! - Wake me up! Wake me up! - No! - Mal, no! No! - Wake me up! [GASPING] Hey, hey, hey. Look at me You're okay. You're okay. - Hey. - Why wouldn't I wake up? There was still time on the clock You can't wake up from within the dream unless you die - She'll need a totem ARIADNE: What? A totem, it's a small personal That's some subconscious you've got on you, Cobb! She's a real charmer Oh. I see you met Mrs. Cobb She's his wife? Yeah. So a totem. You need a small object, potentially heavy Something you can have on you that no one else knows. ARIADNE: Like a coin? ARTHUR: No. It needs to be more unique than that Like, this is a loaded die. No, I can't let you touch it. That would defeat the purpose See, only I know the balance and the weight of this particular loaded die That way, when you look at your totem ...you know beyond a doubt that you're not in someone else's dream I don't know if you can't see what's going on, or if you just don't want to. But Cobb has some serious problems that he's tried to bury down there. And I'm not about to just open my mind to someone like that.
Inception
2.8s
- What are you doing? - Improvising.
Inception
2.2s
We should probably get out of here.
Inception
10.5s
Cash, cards, ID. And this Useful?
Inception
5.3s
COBB: Get Fischer in the back room now - Get him in the back room. Move. ARTHUR: What the hell happened?
Inception
1.5s
I'm sorry, Robert.
Inception
1.2s
All right, let's go.
Inception
1.8s
[SONG ECHOING]
Inception
1.7s
Security, huh?
Inception
1.5s
ARIADNE: Cobb?
Inception
1.3s
[GUNSHOT]
Inception
31.5s
Let me ask you a question You never really remember the beginning of a dream, do you? You always wind up right in the middle of what's going on I guess, yeah So how did we end up here? Well, we just came from the, uh Think about it, Ariadne. How did you get here? Where are you right now? We're dreaming? You're in the middle of the workshop, sleeping This is your first lesson in shared dreaming. Stay calm [CUP RATTLING]
Inception
14s
When she comes back, you're gonna have her building mazes - Where are you gonna be? - I gotta go visit Eames. Eames? No, he's in Mombasa it's Cobol's back yard. It's a necessary risk - Well, there's plenty of good thieves - We don't just need a thief.
Inception
9.3s
You have one hour. Start talking FISCHER: You all right? [GROANING] You okay?
Inception
3.1s
Or do you think he's as lost as I was?
Inception
1.8s
So that's it, then? We failed?
Inception
1.4s
ARTHUR: You good?
Inception
1m49s
Stop Again Stop You're gonna have to do better than that That's more like it COBB: They say we only use a fraction of our brain's true potential. Now, that's when we're awake When we're asleep, our mind can do almost anything Such as? Imagine you're designing a building You consciously create each aspect. But sometimes, it feels like it's almost creating itself, if you know what I mean Yeah, like I'm discovering it Genuine inspiration, right? Now, in a dream, our mind continuously does this We create and perceive our world simultaneously And our mind does this so well that we don't even know it's happening That allows us to get right in the middle of that process How? By taking over the creating part Now, this is where I need you You create the world of the dream We bring the subject into that dream, and they fill it with their subconscious How could I ever acquire enough detail to make them think that it's reality? Well, dreams, they feel real while we're in them, right? It's only when we wake up that we realize something was actually strange.