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44.1s
Rick who? It don't matter, George. We were colleagues from the past, and I just wanted to make sure you're doing okay. - I'm not doing okay. - What's the matter? Can't see shit. Would you call that "the matter"? The man can't see shit, okay? I know. I'm sorry about that. I was told. Squeaky sent me to bed. Would that be the little redhead out front? [INSECTS BUZZING] What the fuck is the matter with you? First you wake me up, and now you're pretending that I didn't tell you I was fucking blind! How am I gonna know what the hell color the head of the girl is that's with me all the time? Oh, fair enough, George.
Once Upon a Time in Hollywood
1m8s
In Rome, Rick loved the paparazzi and the fuss they made over him and his Nebraska Jim costar Daphna Ben-Cobo. All right there, paparazzos. All right. Take it easy. NARRATOR: He loved the food so much that during his stay, Rick gained almost 15 pounds. But he didn't love the Italians' way of making movies. In fact, he thought the post-synced, "every actor speaks their own language," Tower of Babel shooting style of European movies was ridiculous. While in Rome, Marvin plugged Rick into three other Italian productions. His second Western was Kill Me Quick, Ringo, Said the Gringo, also starring Joseph Cotten and directed by Calvin Jackson Padget, pseudonym for Giorgio Ferroni. His third was an Italian/Spanish coproduction that paired him with Telly Savalas, titled Red Blood, Red Skin, directed by Joaquín Romero Marchent and based on the Floyd Raye Wilson novel, The Only Good Indian Is a Dead Indian. And his fourth, a Spaghetti secret agent, James Bond rip-off-type flick called Operazione Dyn-O-Mite!, directed by Antonio Margheriti. [SIREN WAILING] [GEARSHIFT CLICKS]
Once Upon a Time in Hollywood