Hey, Rick, I gotta ask you something I heard about. Was it true you almost got the McQueen part in The Great Escape? [♪♪♪] - Hilts, isn't it? - Captain Hilts, actually. - Seventeen escape attempts. - Eighteen. Never had an audition. Never had a meeting. Never met John Sturges. So, no, I don't think you could say I... I almost got the part, but... - Tunnel man, engineer. - Flier. I suppose what's called in the American Army, a hotshot pilot. But the story goes, for a brief moment, McQueen almost passed on the movie, and during that brief moment, I, apparently, was on a list of four. You have other plans? I haven't seen Berlin yet from the ground or from the air, and I plan on doing both before the war's over. You and who? - Me and... Me and three Georges. - Which three Georges? Peppard, Maharis and Chakiris. - Oh, man. - Yeah. That's gotta hurt. Yeah, well, I didn't get it, McQueen did it, and, frankly, I never had a chance. [CHUCKLES] Ten days isolation, Hilts. Captain Hilts. Twenty days. Right.
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- [CAMERA CLICKS] - [LAUGHS]
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[RADIO STATION JINGLE] [WEATHER ANNOUNCEMENT]
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SAM: Rick Dalton. Sam Wanamaker. - Hey, Sam. - [CHUCKLING] Sorry about the wet hand. Oh, don't worry. I'm used to it with Yul. I want you to know, I'm the one who cast you. And I couldn't be more delighted you're doing this. Oh, well, thank you, Sam. I... I appreciate it. It's a good part. Yeah, it is. Have you met Jim Stacy, the series lead? Uh, not yet, no. No. Well, you guys are going to be dynamite together. Mm. Mm. Well, it sounds exciting. - Yeah, lightning in a bottle. - Mm. Now, you met Sonya, makeup and hair? Hi. And this is Rebekka, who does costumes. Hello. - REBEKKA: Hi. - Howdy. SAM: I want a whole new look for Caleb. I don't want this Western costumed the way they costumed The Big Valley and Bonanza for the last decade. I want a zeitgeist flair to the costumes. [COUGHING] I mean, nothing anachronistic, but where does 1869 and 1969 meet? Especially when it comes to you, Caleb. Mm. Mm. First off, I want to give him a mustache. A big, droopy, Zapata-like mustache. Now, about his jacket. I want to give him a hippie jacket. Something he could wear into the London Fog tonight and look like the hippest guy in the room. Far out. We got a Custer jacket. Fringes all down the arm. It's tan now, but I dye it dark brown, he could hit the Strip in it tonight. That's my girl. Heh. - Now, Rick, about your hair. - What about my hair? I want to go with a different hairstyle. Huh. What? Something more hippie-ish. [STUTTERING] You want me to look like a hippie? Well, think less hippie, more... Hells Angel! [IMITATING ENGINE REVVING] - Right. Say, Sam... - Get me the... Sam. Sam, uh... if you got me covered up in all this... this junk, uh, how's the audience gonna know it's me?
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Hey, hey. Hey, buddy, I'm Rick Dalton. You know where I'm supposed to go? They're waiting for you in the makeup trailer. Where's the makeup trailer? Straight back the way you came, hard right. [COUGHING] [CLEARING THROAT]
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[GROANS]
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You can talk to him. Just talk to him. - MAN 2: Get that set in place. - RICK: Hey. Ahem. I think the wind blew down my TV antenna last night, so while I piss-fart around with wardrobe, you mind going home and fixing it? I can. You talk to the stunt gaffer about me today? That way I'll know if I'm working this week or not. Yeah. Ahem. I've been meaning to tell you. The guy who gaffs this, he's best friends with Randy, the gaffer from The Green Hornet... - [CHUCKLES] - ...so there ain't no point. If you don't need me, I'll pick you up at wrap. I don't need you. Not today. Go home, fix my antenna, do whatever. See you at wrap.
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I hope they don't. Mm. I don't want them to see Jake Cahill. I want them to see Caleb. I hired you to be an actor, Rick. Not a TV cowboy. You're better than that.
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[CHATTERING INDISTINCTLY]
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Oh, here we are. [RADIO STATION JINGLE] MAN 1: Tell transpo! Gonna need to move all that out! MAN 2: Just a sec. Hold on, guys. Go ahead. [COUGHING]
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What I think is... you're a little man with a big mouth and a big chip, and I think you should be embarrassed to suggest you'd be anything more than a stain on the seat of Cassius Clay's trunks. Brother, you're the one with the big mouth. And I would really enjoy closing it, especially in front of all my friends. But my hands are registered as lethal weapons. That means, we get into a fight, I accidentally kill you, I go to jail. Anybody accidentally kills anybody in a fight, they go to jail. It's called manslaughter. And I think all that "lethal weapon" horseshit is just an excuse so you dancers never have to get in a real fight.
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Okay.
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Would you like some refreshments? - Oh, I'm fine. Thank you. - Enjoy the show.
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I'm only going as far as Westwood Village. Hey, beggars can't be choosers. - Come on in. - Thanks.
Once Upon a Time in Hollywood
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I'm 8. What are you reading?
Once Upon a Time in Hollywood
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I've got a scene after lunch. Yeah?
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Guy's name is Tom Breezy, but everyone always calls him Easy Breezy. Now, when Easy Breezy was in his 20s and-and-and young and good-looking, he could... He could break any horse that you could throw at him. Back then, he just had a way. Now he's into his, uh, late 30s and he takes a bad fall, and it messes up his hip. He's not... He's not... He's not crippled or anything like that, but... But he's got spine problems he never had before, and he spends, uh... more of his days in pain than he ever did before. Jeepers, this sounds like a good novel.