The Grand Budapest Hotel

The Grand Budapest Hotel is a 2014 comedy-drama film written, directed, and co-produced by Wes Anderson. Ralph Fiennes leads a seventeen-actor ensemble cast as Monsieur Gustave H., famed concierge of a twentieth-century mountainside resort in the fictional Eastern European country of Zubrowka. When Gustave is framed for the murder of a wealthy dowager (Tilda Swinton), he and his recently befriended protégé Zero (Tony Revolori) embark on a quest for fortune and a priceless Renaissance painting amidst the backdrop of an encroaching fascist regime. Anderson's American Empirical Pictures produced the film in association with Studio Babelsberg, Fox Searchlight Pictures, and Indian Paintbrush's Scott Rudin and Steven Rales. Fox Searchlight supervised the commercial distribution, and The Grand Budapest Hotel's funding was sourced through Indian Paintbrush and German government-funded tax rebates. Anderson and longtime collaborator Hugo Guinness conceived The Grand Budapest Hotel as a fragmented tale following a character inspired by a common friend. They initially struggled in their brainstorming, but the experience touring Europe and researching the literature of Austrian novelist Stefan Zweig shaped their vision for the film. The Grand Budapest Hotel draws visually from Europe-set mid-century Hollywood films and the United States Library of Congress's photochrom print collection of alpine resorts. Filming took place in eastern Germany from January to March 2013. French composer Alexandre Desplat composed the symphonic, Russian folk-inspired score, which expanded on his early work with Anderson. The film explores themes of fascism, nostalgia, friendship, and loyalty, and further studies analyze the function of color as an important storytelling device. The Grand Budapest Hotel premiered in competition at the 64th Berlin International Film Festival on February 6, 2014. The French theatrical release on February 26 preceded the film's global rollout, followed by releases in Germany, North America, and the United Kingdom on March 6–7. The Grand Budapest Hotel drew highly positive reviews for its craftsmanship and acting, though occasional criticism centered on the film's approach to subject matter, fragmented storytelling, and characterization. It earned $174 million in box office revenue worldwide, Anderson's highest-grossing feature to date. The film was nominated for nine awards at the 87th Academy Awards including Best Picture, winning four, and received numerous other accolades. Since its release, The Grand Budapest Hotel has been assessed as one of the greatest films of the 21st century.

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Where is she, Clotilde? Take me to her.

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You're looking so well, darling. You really are. They've done a marvelous job.

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I don't know what sort of cream they've put on you down at the morgue, but I want some. Honestly, you look better than you have in years. You look like you're alive.

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Oh, you changed it after all. It's perfect. Clotilde? Oui, Monsieur Gustave? A glass of chilled water with no ice, please.

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Yes. M. Gustave -- -- and. also. M. Serge would like to speak with you privately in his office. please.

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Oh.

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All right, then. I shan't be long, darling.

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MR. MOUSTAFA: We were escorted through a green baize door, down a narrow service corridor and into the butler's pantry.

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A moment later, the kitchen passage swung open and a small servant dressed in white jolted into the room.

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I've never forgotten the look on that man's face.

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What the devil is going on?

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I, myself, had never set foot inside a house of this kind in my life.

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I understood very little about the events that were to follow. But, eventually, I came to recognize, when the destiny of a great fortune is at stake, men's greed spreads like a poison in the bloodstream.

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Uncles, nephews, cousins, in-laws of increasingly tenuous connection. The old woman's most distant relations had come foraging out of the woodwork.

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At the head of this congregation, it was a disorienting coincidence, we discovered our own Deputy Kovacs, himself an important attorney, of course. He was the executor of the dead widow's estate.

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This is Madame D's last will and testament.

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It consists of a general tontine drawn up before the event of her husband's death 46 years ago, in combination with 635 amendments, notations, corrections, and letters of wishes executed during the subsequent decades.

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The ultimate legality of this accumulation requires further analysis, but in the opinion of this office, it was Madame D's intention that control of the vast bulk of her estate should be transferred, forthwith, to her son, Dmitri, with special allowances for his sisters, Marguerite, Laetizia, and Carolina, and minor gifts for various members of the extended family as shown in the List of Recipients, which I will elucidate in due course.

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However.

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An additional codicil, delivered into my possession by post only this morning, and, by all indications, sent by Madame D during the last hours of her life, contains an amendment to the original certificate, which, as prescribed by law, I will read to you now. The authenticity of this document has not yet been confirmed by the presiding magistrate, so I ask that all parties be patient and refrain from comment until such time as our investigations can be completed.

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