8 Mile

8 Mile is a 2002 American drama film written by Scott Silver and directed by Curtis Hanson. It stars Eminem in his film debut, alongside Mekhi Phifer, Brittany Murphy, Michael Shannon, Kim Basinger and Anthony Mackie, the latter also in his film debut. The film, which contains autobiographical elements from Eminem's life, follows Detroit rapper Jimmy Smith Jr. aka B-Rabbit (Eminem) and his attempt to launch a career in hip hop, a music genre dominated by African Americans. The title is derived from 8 Mile Road, the road between the predominantly black city of Detroit and the largely white suburban communities to the north that Eminem originally lived in. 8 Mile was a critical and commercial success. It opened at No. 1 in the US with $51.3 million grossed in its opening weekend and an eventual total of $242.9 million worldwide. The film's accompanying soundtrack (released by Universal's then subsidiary Universal Music, through Interscope and Shady/Aftermath) was also a commercial success, being certified quadruple platinum by the Recording Industry Association of America (RIAA). The film garnered numerous award nominations and wins, including an Academy Award for Best Original Song win for "Lose Yourself" for Eminem, Jeff Bass and Luis Resto at the 75th Academy Awards. 8 Mile was named one of the best films of 2002 by several publications.

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[Moans] Mom, come on. Get up. Come on. [Sighs Deeply] Come on! [Grunts] Greg left me. Yeah? [Lily Babbling] He left me. [Grunts] Oh. Damn!

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Come on. Get up. Hi, honey. It's okay, Lily. It's okay, honey. [Voices On TV, Indistinct]

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His settlement check came in. [Chuckling] His settlement check came in. And now that he's got money, he can't be with somebody like me anymore. [Chuckling] It's Thursday. I got... I got... I gotta go to bingo. Maybe he'll be there. You're goin' nowhere. Better off without him. Stop it.! Stop it. It's your fault he left me. You ruined it! You ruined it. You fucked it all up for me.

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Who's gonna want me now? Who's gonna want me? Where are we gonna live? We don't have any money! We don't have anything! What am I gonna do? - What am I gonna do? - What are you gonna do? Lily's out there by herself right now! Why do you got to be like this? What did we ever do to you? Get the fuck out of here. Get the fuck out of my house! Get the fuck out of my house.! [Sobbing] Come on, baby. Put your coat on. [Grunts Loudly] We're goin' next door, okay? We're gettin' out of here. Come on. [Barney] I love you...

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[Bell Dinging]

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What floor is J LB on? Twenty-eight. Thank you. You're welcome. [D.J.] When we look at Big O, what are we lookin'at, baby? [Big O] I'm givin'you poverty. I'm givin'you the slums. That's where I'm from. So I put it all in the music. I'm lookin' for Wink Harris. Who? He's supposed to be here with Roy Darucher. Oh, I think they're all down in Studio "B." All right. Thank you. Mm-hmm. [Big O] I did anything for free... anything for the exposure. [D.J.] No doubt. Big "O, "big ups and congratulations, playboy player. You finally got your record on the radio. How does it make you feel, man? Oh, man, that's much love. I want to thank you and WJ LB, man... for lookin'out for me like that, dawg, so much love. I'm tryin'to put Detroit... the east side, for sure... on the map. Know what I'm sayin'? And we gonna do it for real. We'll get a pipeline to come through here, and the industry'll look at us... and they'll sign all of us, man, we'll all be eatin; [Big O] Whoa, whoa... Wait, wait, wait... [Screams] Jimmy! Stop it! Stop it!

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I've seen you flippin' burgers, baby, I know I have! [Chuckles] Yeah, I did that, man. I thought I recognized your face, baby. [Alex, Screaming] Stop it! Fuckin' stop it! Please! Please stop. Stop it. Jimmy, stop it! [Grunting, Groaning] - Jimmy... - How long you been in the game, baby? - Aw, man, fifteen years. - [Grunting, Punch Landing]

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[Announcer, Rapper's Voices In Distance] It's an honor for mejust to come on WJLB and have you doin'this for me. I really appreciate it. [D.J.] No problem, baby. You know, wejust here to represent the "D. " You know, and take care of our artists and take care ofhome. And I hope you have a successful career, 'cause I know you puttin'it down. You represent real hard for the 3-1-3. For sure, man, I'm doin' it. I'm doin' it for y'all, man. This is for Detroit. 3-1-3, baby. Love.

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[Engine Idling]

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Thank you, Mrs. Helgeland. Any time, Jimmy. Have a good night. Mm-hmm.

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Hey, did you have fun? Mm-hmm. Yeah. I know. [Bass Speakers Reverberating]

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[Rap On Car Stereo] Okay, baby. I want you to go inside. I want you to lock the door, okay? Listen to me. Go inside, lock the door. I'll be in in a minute, okay? Okay. Okay. Go. [Car Doors Slamming] Go!

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Yo, what up, bitch? You ready to get knocked out, doe? [Lyckety-Splyt Chuckles] Wink said you lived in a trailer with your mom. [Laughing] But we didn't believe him. [Scoffing] [Blow Landing, Groaning] Come on, Elvis. Get up. Get up, bitch. [Booming Rap Continues] [Man] Get yo'faggot ass up and fight.

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[Scoffs] What? What the fuck is you lookin' at?

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[Groans]

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Get down, you faggot. Get down! - Jimmy! - [Grunting]

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[Wink Sniffing]

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Come here. Get the fuck up there. Stop it! Fight me, you punk-ass bitch! - What the fuck you gonna do? - [Grunts, Groans]

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I could end your shit right now, and nobody would even miss your ass.

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No, no, no. No, no. Don't do this.

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