Pitch Perfect 3

Pitch Perfect 3 is a 2017 American musical comedy film directed by Trish Sie and written by Kay Cannon and Mike White. It is set after the events of Pitch Perfect 2 (2015), and is the third installment in the Pitch Perfect trilogy. It features Anna Kendrick, Rebel Wilson, Hailee Steinfeld, Brittany Snow, Anna Camp, Hana Mae Lee, Ester Dean, Chrissie Fit, Alexis Knapp, Kelly Jakle, Shelley Regner, John Michael Higgins, and Elizabeth Banks reprising their roles from previous installments, joined by John Lithgow, DJ Khaled, Ruby Rose, Matt Lanter, and Guy Burnet. The film follows the Bellas, now graduated from college, reuniting for one final performance together during an overseas USO tour. Principal photography on the film began in January 2017 in Atlanta, Georgia, and ended in April 2017. The film was released in the United States on December 22, 2017, and received mixed-to-negative reviews from critics (unlike its predecessors) but grossed $185.4 million worldwide against its $45 million budget. It became the second-highest grossing musical comedy film of all time, behind its predecessor.

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And then, maybe a few days later, we'll go to third base? - (Amy chuckles) - That's a "no" for me, so... Wait, what's after the third base? Why don't we get you to your first venue? Come on. CHICAGO: All right, well, we are really excited to have you here. Right now we're in Hangar Three. This is where we keep all of our helicopters. Of course, now we've got the big stage built up for the tour. So, on the tour, we've got three bands. Over here, we got Saddle Up. This is Young Sparrow and DJ Dragon Nutz. And behind me is Evermoist. - (quiet chatter) - CHICAGO: Oh! And check it out. DJ Khaled just rolled in. GAIL: Let's set the stage, all right? - Let's get ready before the... - So we should turn around - and shoot into it, I think. - ...the Bellas out. - Get the Bellas... - CHICAGO: Hey, guys. Come say hey to the new group. - Yo. - Hi. - LILLY: Oh. AUBREY: Hello. We're the Bellas, formerly of Barden University and currently of life. - Ladies. - Howdy. - Hey. - Hey. - DJ DRAGON NUTZ: Ladies, I want to give you a little forewarning. My man's social anxiety, when he's not behind the turntables, it's kind of crazy. - So be easy, all right? - Hello. - Hi. ♪ Hello ♪ ♪ Is it me you're looking for? ♪ Right on. I'm Calamity. This is Serenity, Veracity and Charity. - Hi. - Hey. - AMY: Hi. If I joined your group, I could be Obesity. (Amy chuckles) - Get it? - SERENITY: Oh, if you're wondering, - our presence here has nothing to do with... - Nothing. ...the nationally televised "Salute to the Troops" special where DJ Khaled is going to pick one group to open for him at the end of this tour. That was a lot of exposition. So there is a competition. I knew it. - And so there is. - Idiots! GAIL: What, do you think we care about just watching you guys? It's a competition! Hello! You guys just sing other people's songs, right? - Like a cover band. - (chuckling): No, no, no, no. - No. - Uh, no, no, no. Uh, well, actually, Emily writes original songs for the Bellas. I mean, I don't really do it anymore. - I kind of did that one, and then I... - Hey. Hey, hey, hey, hey. You with us or against us? And it was one of your dads who gave you the spot on the tour, right? - (gasps) Oh, my God. - Um... - Ooh... - EMILY: Guys, stop. They just don't like sharing the spotlight, so they're trying to intimidate us. Let's just take the high road and do what we do. You thinking what I'm thinking? What are you thinking? - A riff-off. - (gasping) - That's not what I was thinking. - A riff-off! Wait. Yes. A riff-off! Yes! - What is a riff-off? - Yeah. A riff-off is a little game that we like to play to see who's better. - Mm-hmm. - We start with a topic. Um... - Let's say "party songs." - Ooh. - Nice. Yeah, and then we lay down a beat. - GAIL: Oh, yeah, bring it, Bellas! - (John chuckling) - Oh, go, ladies. - (beatboxing)

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♪ I'm comin' up ♪ ♪ So you better get this party started ♪ ♪ I'm comin' up, I'm comin' ♪ ♪ I'm comin' up, so you ♪ ♪ Don't you dare look back, just keep your eyes on me ♪ ♪ I said, "You're holding back" ♪ ♪ She said, "Shut up and dance with me" ♪ ♪ Give me that toot-toot ♪ ♪ Let me give you that beep-beep ♪ ♪ Running her hands through my fro ♪ ♪ Bouncing on 24s while they say on the radio ♪ ♪ It's the remix to ignition, hot and fresh out the kitchen ♪ - ♪ Mama rollin' ♪ - ♪ Rollin' in my 6-4 ♪ - ♪ Bada-bop ♪ - ♪ With all my Bellas saying ♪ ♪ Swing down, sweet chariot, stop and let me ride ♪ - ♪ Hell yeah ♪ - ♪ Swing down ♪ ♪ Sweet chariot, stop and let me ride ♪ ♪ Let me ride... ♪ (holding high note) Is that feedback? (continues holding note)

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CHLOE: Yeah, so you guys saw what we did there, right? - Yeah. - So... it's singing. CHLOE: No, well... (chuckles) We just took the last word of the old song and matched it with the first word of the new song, but you stay on tempo, stay on beat, stay on pitch and, of course, - keep it in the relative key. - CALAMITY: That was great. - That was really well done. - Yeah. AUBREY: Okay, okay. Round two. Let's keep it simple this time. What about... "artists you didn't know were Jewish"? - Mm. - That was crazy. - What? - Let's do this. - Let's do this. - Okay. (beatboxing)

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- Oh. - Mm-hmm. - ♪ Oh ♪ - ♪ I wish that I could fly ♪ - ♪ I could fly ♪ - ♪ So very high ♪ - ♪ Very high ♪ - ♪ Into the sky, yeah ♪ ♪ Just like a dragonfly ♪ ♪ I want to, I want to ♪ ♪ I want to get away ♪ - Yeah, well, get away, then. - ♪ I want to fly away ♪ ♪ Yeah, yeah, yeah ♪ - ♪ I stopped using my head, using my head ♪ - Hey. - ♪ Let it all go ♪ - ♪ Let it all go ♪ ♪ Got you stuck on my body, on my body like a tattoo... ♪ - You can't use those sticks. - Yeah, you can't use that. We like to keep it strictly oral. ♪ Coming back to you ♪ ♪ You can call me any day or night ♪ - ♪ Call me ♪ - ♪ Call me ♪ You're not on the same team. I just figured out what he reminds me of. - Ronald McDonald. - Separate teams! - ♪ Call me ♪ - ♪ Call me ♪ - Separate teams! - ♪ Oh, love ♪ - ♪ Love me harder ♪ Oh, okay. ♪ And if you really need me ♪ ♪ You gotta, gotta, gotta, gotta ♪ ♪ Got to love me harder ♪ ♪ Gotta love me harder ♪ ♪ Ooh, ooh, ooh, ooh ♪ ♪ Love me, love me, love me ♪ ♪ Ooh, ooh, ooh, ooh ♪ ♪ Harder, harder, harder ♪ - ♪ Ooh, ooh, ooh, ooh ♪ - ♪ Ooh... ♪ - ♪ If I were a boy ♪ - What? What the...? ♪ Even just for a day ♪ AUBREY: Beyoncé's not Jewish. Okay, you guys aren't even in a group. - What? - ♪ I'd roll out of bed ♪ ♪ In the morning and throw on what I wanted and go ♪ Hey, guys, still need that level check for vocals. - Okay. - Hey, hey, hey, we're not done yet. Oh, baby, we're just getting started. AUBREY: Come on, we gotta do this. We gotta think of something. All right, next category. "Zombie apocalypse."

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♪ Another head hangs lowly ♪ ♪ Child is slowly taken ♪ ♪ And the violence caused such silence ♪ ♪ Who are we mistaken? ♪ ♪ With their tanks and their bombs and their bombs ♪ - ♪ And their guns ♪ - They can't use the-the drums. ♪ In your head, in your head ♪ ♪ They are crying ♪ ♪ In your head ♪ - ♪ In your head ♪ - That's a guitar, man. ♪ Zombie, zombie ♪ - ♪ Zombie-ie-ie... ♪ - ♪ What doesn't kill you ♪ ♪ Makes you stronger, stand a little taller ♪ ♪ Doesn't mean I'm lonely when I'm alone ♪ - Th-They're singing together? - ♪ What doesn't kill you ♪ ♪ Makes a fighter, footsteps even lighter ♪ ♪ Doesn't mean I'm over 'cause you're gone ♪ ♪ I'd catch a grenade for you ♪ ♪ Yeah, yeah, yeah ♪ ♪ Throw my hand on a blade for you ♪ - ♪ Yeah, yeah, yeah ♪ - ♪ Jump in front of ♪ - ♪ A train for you... ♪ - What are we gonna do? We have to... we have to do something. - What? - We have to do something. ♪ I'd do anything for you ♪ ♪ Yeah, yeah, yeah ♪ ♪ But I'm only human ♪ ♪ And I bleed when I fall down ♪ ♪ I'm only human ♪ ♪ And I crash and I break down ♪ ♪ Your words in my head, knives in my heart ♪ - (feedback, distortion) - ♪ You fill me up ♪ - ♪ And then I fall apart... ♪ - (fiddle playing) ♪ Wake me up when it's all over ♪ - ♪ Zombie-ie-ie ♪ - ♪ When I'm wiser ♪ - ♪ And I'm older ♪ - ♪ Yeah, yeah, yeah ♪ ♪ All this time I was finding myself ♪ ♪ And I... ♪ They just disqualified themselves - by using musical instruments. Good job. - Yeah. - We won, guys. - We should go. - Whoo! We won! - That's not entirely accurate. - We didn't break any of the rules, so... - Let's go. We won. Bellas are doing what they do best... quitting. GAIL: Here's the problem, John. The Bellas are not as good as the other bands. JOHN: That is a startling insight. ♪ Yeah, yeah, yeah. ♪ ♪ ♪

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(dance music playing in Spanish)

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- Yeah! - Whoo! (indistinct chatter) Wow! (indistinct chatter)

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How do you say it... "Where is the bar"? - FLO: ¿Dónde está la barra? - Oh, it's so cute. - "¿La barra?" - Barra. Barra. - Smells so nice. So nice! Oh, you're so beautiful. AMY: Okay, stick with me, 'cause I know so much Italian. - Okay. - Gelato. Margherita. - Ravioli. - Amy, we're in Spain.

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AUBREY (sighs): So... Emily, is it true what you said back there? Are you really not writing anymore? Well, not... I mean, not right now. Anyway, I've got 21 credits that I'm taking this semester. The GRE is coming up. It's right around the corner. Uh, and... I got a hamster now. Aw. That's amazing. Well, don't give up. My dad always says, "Age wrinkles the body, but quitting wrinkles the soul." Hmm.

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- Three... - How about those Bulls? Gotta love those Cubs. (chuckles) And the deep dish pizza, 'cause it's so... deep.

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Chicago. Right? (chuckles) Yeah, I'm actually from Georgia. Oh. So, what's your story? Why are you here? Oh, boy. Um... Long story short, I was in the NG, but my CO recommended me for OCS after, uh, AIT. (voice fading): Then came OBC and RTB where I, uh, was the, uh, DG of my class. It's... I don't know. Sorry. Um... I joined the National Guard. They helped put me through college. (voice fades): I spent about a year stationed in Kabul. Uh, actually overseeing a canine unit over there. We trained German shepherds, - we trained pit bulls... - (distant, echoing barking) Dogs. I love dogs. (chuckles) I love animals, in general. - Animals are cute. - You're cute. I mean, what? - What about you? - Me? (sighs) Me. Uh, shorter story... I was in a singing group in college, and then now I am still in that same singing group, but not in college. - But you're committed. - I am committed. - That's great. - Yeah, I love commitment - and being committed. - Yeah. - Not to, like, an asylum. (chuckles) Whoa. - Right. Or, like, a hospital, like, it's... I'm not saying... - Yeah, no, I know. - But, like... just, I like... I love love. I love being committed to love. Not to you, but to, like... I love, um, like, oranges. - Oranges. - I love... Hey. Uh, girls? - Hmm? - We have separate rooms. We don't have to sleep on top of each other anymore. - What? - AUBREY: Hey, that's great. Um, not sexually. There was that one time.

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(quiet chatter) (all yelling) BECA: Stop being so loud. - Yeah. No, yeah. - Oh, that's what I want. Uh, no, that's the molasses one. No, you're not gonna like that one. - This one. - I don't want molasses. BECA: Okay, you guys, so we've never competed against bands that play actual instruments. What's the plan? I really think we should just stay true to ourselves, - and it will all figure itself out. - AMY: Emily? - Mm-hmm. - Please hear this in the best way possible. You're a very stupid person. CHLOE: You know what? Maybe it won't matter if we win or not, because they will like us so much that they will invite us to keep touring with them. And it won't matter if I get into vet school because we will be together as a family, supporting each other. And really, isn't that what it's all about?

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- Yes. - AUBREY: Yes. Yeah, except for all families break apart, and the only person you can ever truly rely on is yourself.

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All right, time to drop a smash. - What? - Oh, no, no, no. - Whoo! - Wait. - Think it's a whole album. - Oh, no, no, no, no, no, no.

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♪ Everybody needs a little time away ♪ ♪ I heard her say ♪ ♪ From each other. ♪

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There now, Sir Bounce-a-lot. You take good care of my Turnip Top. Eh? - (blows raspberry) - (laughs)

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(whistling Chicago's "Hard to Say I'm Sorry")

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JOHN: Well, it's a big night for the Bellas, Gail. GAIL: First stop on the tour... Rota, Spain. Here we go. Young Sparrow! (trilling) Attention! ♪ Girl, don't keep me waiting now ♪ ♪ Need you to shake it, turn and break it down ♪ ♪ Yeah, you know you got 'em now ♪ ♪ Got, got 'em now ♪ They're so... dope. You guys, this is the first time we're performing together in three years. - It's gonna be so much fun. - Let's do this. ♪ You're my only temptation, I'm too gone, I'm too faded ♪ ♪ I've two shots, so don't place that workout ♪ ♪ Now can I hear you say whoa now? ♪ ♪ Let's party, girl... ♪

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Hola. Uh, hola. Um... - Uh, excusez-moi. - Bonjour. Ciao. - No hablo... - Inglese? Konnichiwa? - The... - Sa-na-ma-na-ma? You're English. Hi. That's right. I saw you do the, uh, sound check, - um, thing that you guys... - Yeah. The riff-off thing. - Riff-off. - Yeah. I don't know why we keep challenging people to those. We... we don't ever actually win. - Oh. - Do you work for the USO? Uh, no, I-I work for DJ Khaled. Sorry. I'm-I'm Theo. - Hi. I'm Beca. - Hi. - Nice to meet you. - How you doing? Sorry, you are a... - Oh, I'm a... - Music executive? ...music exec at Khaled's label. - Really? - Yeah. - What? - No, I-I... I work with music executives, and you... they... they don't look like you. Oh. What... what do I look like? A turtle. Well, that's in... incredibly specific. But, like, you literally look just like that. No, no. It's accurate. You said you work with music execs. Oh. Yeah. Um, no, I'm a... (chuckles) I'm a music producer. I'm sort of freelancing right now. Oh, and I sing for fun. I'm interested to see the Bellas in action. Yeah, maybe we'll even open for DJ Khaled in the end. You don't think you'll open for Khaled? Uh, no, I-I... I didn't say that. Yeah, you did. You did. You just said it before. You kind of implied it, if anything. - Well, I just... - I could just tell him that you sing for fun, if you like. No, I-I was just trying to... I-I'm-I'm... I'm gonna go now. I'll see you later, but I'll be watching. - Okay. - Good luck. See you.

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- What was that? - That was so much eye contact. ♪ One, two, three, they gonna run back to me ♪ ♪ 'Cause I'm the best baby that they never got to keep ♪ ♪ One, two, three, they gonna run back to me ♪ ♪ They always want to come but they never want to leave ♪ ♪ My ex's and the oh-oh-oh's, they haunt me ♪ ♪ Like gho-o-osts, they want me ♪ ♪ To make 'em all, all, all ♪ ♪ They won't let go, ex's and oh's. ♪

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