The Shawshank Redemption
The Shawshank Redemption is a 1994 American prison drama film written and directed by Frank Darabont, based on the 1982 Stephen King novella Rita Hayworth and Shawshank Redemption. The film tells the story of banker Andy Dufresne (Tim Robbins), who is sentenced to life in Shawshank State Penitentiary for the murders of his wife and her lover, despite his claims of innocence. Over the following two decades, he befriends a fellow prisoner, contraband smuggler Ellis "Red" Redding (Morgan Freeman), and becomes instrumental in a money laundering operation led by the prison warden Samuel Norton (Bob Gunton). William Sadler, Clancy Brown, Gil Bellows, and James Whitmore appear in supporting roles. Darabont purchased the film rights to King's story in 1987, but development did not begin until five years later, when he wrote the script over an eight-week period. Two weeks after submitting his script to Castle Rock Entertainment, Darabont secured a $25 million budget to produce The Shawshank Redemption, which started pre-production in January 1993. While the film is set in Maine, principal photography took place from June to August 1993 almost entirely in Mansfield, Ohio, with the Ohio State Reformatory serving as the eponymous penitentiary. The project attracted many stars for the role of Andy, including Tom Hanks, Tom Cruise, and Kevin Costner. Thomas Newman provided the film's score. While The Shawshank Redemption received critical acclaim upon its release—particularly for its story, the performances of Robbins and Freeman, Newman's score, Darabont's direction and screenplay and Roger Deakins' cinematography—the film was a box-office disappointment, earning only $16 million during its initial theatrical run. Many reasons were cited for its failure at the time, including competition from the films Pulp Fiction and Forrest Gump, the general unpopularity of prison films, its lack of female characters, and even the title, which was considered to be confusing for audiences. It went on to receive multiple award nominations, including seven Academy Award nominations, and a theatrical re-release that, combined with international takings, increased the film's box-office gross to $73.3 million. Over 320,000 VHS rental copies were shipped throughout the United States, and on the strength of its award nominations and word of mouth, it became the top video rental of 1995. The broadcast rights were acquired following the purchase of Castle Rock by Turner Broadcasting System, and it was shown regularly on the TNT network starting in 1997, further increasing its popularity. Decades after its release, the film is still broadcast regularly, and is popular in several countries, with audience members and celebrities citing it as a source of inspiration or naming it a favorite in various surveys, leading to its recognition as one of the most "beloved" films ever made. In 2015, the United States Library of Congress selected the film for preservation in the National Film Registry, finding it "culturally, historically, or aesthetically significant".
I've been reassigned to you. I know. They told me. Ain't that a kick in the head? Well, I'll give you the dime tour. Come on. Well, here she is. Shawshank Prison library. National Geographics. Reader's Digest condensed books. Louis L'Amour. Look Magazine. Erle Stanley Gardners. Every evening, I load up the cart and make my round. I enter the names on this clipboard here. Easy-peasy, Japanesey. Any questions? Brooks, how long have you been librarian? Oh... I come here in '05, and they made me librarian in 1912. And in all that time, have you ever had an assistant? No. No, not much to it, really. Well, why me? Why now? I don't know, but it'll be nice to have some company down here for a change. Dufresne! That's him. That's the one. I'm Dekins. I was er... thinking about maybe setting up some kind of trust fund for my kids' educations. Oh... I see.
The Shawshank Redemption
Well, erm... ...why don't we have a seat, and talk it over? Brooks, do you have a piece of paper and a pencil? Thanks. So... Mr. Dekins... And then Andy says to Mr. Dekins, "Do you want your sons to go to Harvard, - "or Yale?" - He didn't say that? As God is my witness, he did! Dekins just blinked for a second. Then he laughed himself silly. And afterwards he shook Andy's hand. My ass! Shook his hand. Hell, I... I near soiled myself! All Andy needed was a suit and a tie and a little jiggly hula girl on his desk, AND HE WOULD HAVE BEEN: "Mr. Dufresne, if you please"! Making a few friends, Andy? I wouldn't say "friends". I'm a convicted murderer who provides sound financial planning. It's a wonderful pet to have. Got you out of the laundry, though. Well, it might do more than that. How about expanding the library? Get some new books in there. If you're gonna ask for something, ask for a pool table. - Right. - How do you expect to do that? I mean, get new books in here, Mr. Dufresne, if you please? Ask the Warden for funds.
The Shawshank Redemption
Son, son. Six wardens have been through here in my tenure, and I've learned one immutable, universal truth. Not one of them born... whose asshole wouldn't pucker up tighter than a snare drum when you asked them for funds. The budget's stretched thin, as it is. I see. Perhaps I could write to the State Senate and request funds from them. As far as they're concerned, there's only three WAYS TO SPEND MONEY WHEN IT COMES TO PRISONS: More walls, more bars and more guards. Still, I'd like to try, with your permission. A letter a week. They can't ignore me forever. Sure can. But you write your letters, if it makes you happy. I'll even mail them for you. How's that?
The Shawshank Redemption
Red, Andy. It's Brooks. Watch the door. Please, Brooks. - Just calm the fuck down. - Stay back! - Stay back! - What the hell's going on? You tell me. One second he's fine. Then out comes the knife. Brooks, we can talk about this. Right? Nothing to talk about, goddamn it! I'm gonna cut his fucking throat. Heywood? Wait, what's he done to you? It's what they done! I... I got no choice... You're not gonna hurt him. Even Heywood knows that. - Right, Heywood? - I... I know that, sure. You won't hurt him, because he's a friend, and you're a reasonable man. That's right. Right, guys? - Yes. - So, put the knife down. Brooks, look at me. Put the knife down.
The Shawshank Redemption
Come on. Take it easy. You're going to be all right. Him? Hell, what about me? Crazy old fool damn near cut my throat. Shit, Heywood, you've had worse from shaving. What the hell did you do to set him off, anyway? Nothing. I come in here to say fare-thee-well. Ain't you heard? His parole's come through.
The Shawshank Redemption
I just don't understand what happened in there. That's all. The old man's as crazy as a rat in a tin shithouse. Oh, Heywood, that's enough out of you. - I heard he had you shitting in your pants. - Fuck you! Would you knock it off? Brooks ain't no bug. He's just... He's just institutionalized. Institutionalized, my ass. The man's been in here 50 years, Heywood. 50 years. This is all he knows. In here, he's an important man. He's an educated man. Outside, he's nothing. Just a used-up con with arthritis in both hands. Probably couldn't get a library card if he tried. You know what I'm trying to say? Red, I do believe you're talking out of your ass.
The Shawshank Redemption
...then you get used to 'em. Enough time passes... you get so you depend on 'em. That's institutionalized. Shit. You can never get like that. Oh, yeah? Say that when you've been here as long as Brooks has. Goddamn right. They send you here for life. That's exactly what they take. The part that counts, anyway.
The Shawshank Redemption