The Good, the Bad and the Ugly

The Good, the Bad and the Ugly (Italian: Il buono, il brutto, il cattivo, literally "The good, the ugly, the bad") is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly". Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni, and Leone (with additional screenplay material and dialogue provided by an uncredited Sergio Donati), based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score, including its main theme. It was an Italian-led production with co-producers in Spain, West Germany, and the United States. Most of the filming took place in Spain. The film is known for Leone's use of long shots and close-up cinematography, as well as his distinctive use of violence, tension, and highly stylised gunfights. The plot revolves around three gunslingers competing to find a fortune in a buried cache of Confederate gold amid the violent chaos of the American Civil War (specifically the Battle of Glorieta Pass of the New Mexico Campaign in 1862) while participating in many battles, confrontations, and duels along the way. The film was the third collaboration between Leone and Clint Eastwood, and the second with Lee Van Cleef. The Good, the Bad and the Ugly was marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. The film was a financial success, grossing over $38 million at the worldwide box office, and is credited with having catapulted Eastwood into stardom. Due to general disapproval of the spaghetti Western genre at the time, critical reception of the film following its release was mixed, but it gained critical acclaim in later years, becoming known as the "definitive spaghetti Western".

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- Where is Pablo Ramirez? - Padre Ramirez. He is away at the moment.

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He should be back any day now. It doesn't matter. For the moment, we'll take very good care of my friend. May god be praised. In case you didn't know it... God is on our side, too. Because he hates the yanks.

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Father, is he still breathing? Yes, of course.

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You're heavy.

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All right, put a fresh bandage on him.

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Put him in my cell.

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Out, soldier. Out you go, come on. Look out for him, please. He's like a brother to me!

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Father, did he speak? Did he say anything?

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Did he ask for me? Did he speak about anything? No, he hasn't spoken as yet. But you mustn't worry. He's both young and strong. That's what's kept him going until now. He should regain his strength in a very short time. Thank you, father. You don't know how much this boy's life means to me!

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The old father tells me you'll be up and around in a few days. You're very lucky to have me so close when it happened.

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Think, if you'd been on your own.

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I mean, when... _.whenoneisill...

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It's good to have somebody close by, friends or relations.

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Do you... You have parents, blondie?

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A mother? Not even a mother.

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No one.

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You're all alone, huh? Like me, blondie.

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We're all alone in the world. I have you, you have me.

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Only for a little while, I mean.

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It had to happen now.

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