Pulp Fiction

Pulp Fiction is a 1994 American independent crime film written and directed by Quentin Tarantino from a story he conceived with Roger Avary. It tells four intertwining tales of crime and violence in Los Angeles, California. The film stars John Travolta, Samuel L. Jackson, Bruce Willis, Tim Roth, Ving Rhames, and Uma Thurman. The title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue. Tarantino wrote Pulp Fiction in 1992 and 1993, incorporating scenes that Avary originally wrote for True Romance (1993). Its plot occurs out of chronological order. The film is also self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". Considerable screen time is devoted to monologues and casual conversations with eclectic dialogue revealing each character's perspectives on several subjects, and the film features an ironic combination of humor and strong violence. TriStar Pictures reportedly turned down the script as "too demented". Miramax co-chairman Harvey Weinstein was enthralled, however, and the film became the first that Miramax fully financed. Pulp Fiction won the Palme d'Or at the 1994 Cannes Film Festival and was a major critical and commercial success. It was nominated for seven awards at the 67th Academy Awards, including Best Picture, and won Best Original Screenplay; Travolta, Jackson, and Thurman were nominated for Best Actor, Best Supporting Actor, and Best Supporting Actress respectively. As a result of the film's success, Travolta's career was reinvigorated, and the previously unknown Jackson and Thurman became household names. The film's development, marketing, distribution, and profitability had a sweeping effect on independent cinema. Pulp Fiction is widely regarded as Tarantino's magnum opus, with particular praise for its screenwriting. The self-reflexivity, unconventional structure, and extensive homage and pastiche have led critics to describe it as a touchstone of postmodern film. It is often considered a cultural watershed, influencing films and other media that adopted elements of its style. The cast was also widely praised, with Travolta, Thurman, and Jackson earning high acclaim. In 2008, Entertainment Weekly named it the best film since 1983 and it has appeared on many critics' lists of the greatest films ever made. In 2013, Pulp Fiction was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant".

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[ Intercom ] Vincent. I'm on the intercom. Where is- Where is the intercom? It's on the wall by the two African fellows. To your right.

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Warm. Warmer. Disco. Hello? Push the button if you want to talk. Hello? Go make yourself a drink, and I'll be down in two shakes of a lamb's tail. The bar's by the fireplace.

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Okay. When he started sweet talkin' to me He come and tell me everything is all right He'd kiss me and tell me everything is all right Can I get away again tonight The only one who could ever reach me Was the son of a preacher man The only boy who could ever teach me Was the son of a preacher man Yes, he was He was - Lord he knows he was - Yes he was How will I remember The look was in his eyes Stealing kisses from me on the sly Taking time to make time Telling me that he's all mine - Learning from each other's knowin' - [ Sniffing ] Looking to see how much we've grown And the only one who could ever reach me Was the son of a preacher man The only boy who could ever teach me Was the son of a preacher man Yes, he was - Was, was - He was - Oh, yes he was - [ Music Stops ] Let's go.

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What the fuck is this place? This is Jackrabbit Slim's. - An Elvis man should love it. - [ Sighs ] - Come on, Mia. Let's go get a steak. - You can get a steak here, daddy-o. Don't be a- Oh, after you, kitty-cat. [ People Chattering ]

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[ People Cheering ] Good evening, ladies and gentlemen. Now, how may I help you? - There's a reservation under Wallace. - Wallace? - [ "Waitin' ln School" ] - We reserved a car. Oh, a car. Why don't you seat 'em over there in the Chrysler. School get out, baby Gonna tell you some news Sure do look good in them baby doll shoes One, two, buckle the shoes Three, four, get out on the floor Five, six, come get your kicks down at the corner of Lincoln and 46th, yeah All right I've been waitin' in school all day long Waiting on the bell to ring so I can go home Throw my books on the table Pick up the telephone - Come on, baby - [ Man ] Coffee, please? Decaf. - [ Marilyn ] Just a minute. - Heading down to the drugstore to get a soda pop Throw a nickel in the jukebox Then we start to rock School's out, baby Gonna tell you some news You sure do look good in them baby doll shoes Well, it's one, two Buckle the shoes Three, four Get out on the floor Five, six, come get your kicks down at the corner of Lincoln and 46th [ Chattering ] Gonna rock all night Just wait and see [ Man ] Ricky, Ricky, Ricky! [ Ed Sullivan lmpersonator ] Let's hear it for Ricky Nelson! - Fantastic job, Rick. Thank you very much. - Vincent! [ Sullivan ] Just to let you all know, Ricky will be back in the second half of our show, so we hope you enjoy your meals here at Jackrabbit Slim's. Thank you. Call for... - Phil-lip Mor-ris. - What do you think? I think it's like a wax museum with a pulse. Hi, I'm Buddy. What can I get you? [ "Lonesome Town" ] Let's see, steak, steak, steak. Oh, yeah, I'll have the Douglas Sirk steak. - I'll have that. - How do you want that cooked? - Burned to a crisp or bloody as hell? - Bloody as hell, and- Oh, yeah, look at this- vanilla Coke. What about you, Peggy Sue? I'll have the... Durward Kirby burger, bloody. And... a five-dollar shake. How do you want that shake, Martin and Lewis, or Amos 'n Andy? - Martin and Lewis. - Did you just order a five-dollar shake? Mm-hmm. That's a shake? That's milk and ice cream? - Last I heard. - That's five dollars? You don't put bourbon in it or nothin'? - No. - Just checking. I'll be right back with your drinks. [ Jukebox ] To Lonesome Town To cry my troubles away Could you, um... roll me one of those, cowboy? You can have this one, cowgirl. - Thanks. - [ Ignites Lighter ] The streets are filled with regret Think nothin' of it. Lay me down in Lonesome Town - I can learn to forget - So... Marsellus said you just got back from Amsterdam. - Sure did. - How long were you there? [ Inhales ] Just over three years.

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I go there about once a year to chill out for a month. No kiddin'? I didn't know that. Why would you? [ "Ace Of Spades" ]

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I heard you did a pilot.

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- That was my 15 minutes. - What was it? It was a show about a team of female secret agents called Fox Force Five. - What? - Fox Force Five. Fox, as in were a bunch of foxy chicks. Force, as in we're a force to be reckoned with. And five, as in there's one-two-three-four-five of us. There was a blond one, Sommerset O'Neal. She was the leader. The Japanese fox was a kung fu master. The black girl was a demolition expert. French fox's speciality was sex. - What was your speciality? - Knives. The character I played, Raven McCoy, her background was she grew up raised by circus performers. According to the show, she was the deadliest woman in the world with a knife. And she knew a zillion old jokes. Her grandfather, an old vaudevillian, taught her. And if we would have got picked up, they would've worked in a gimmick... where every show I would've told another joke.

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You know any of them old jokes? Well, I only got the chance to say one 'cause we only did one show. - Tell me. - It's corny.

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Don't be that way. Tell me. - No, you wouldn't like it, and I'd be embarrassed. - You'd be embarr- You told 50 million people, and you can't tell me? - I promise I won't laugh. - That's what I'm afraid of, Vince. That's not what I meant. You know it. Now I'm definitely not gonna tell you 'cause it's been built up too much. What a gyp. [ Sighs ]

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Martin and Lewis.

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Vanilla Coke.

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Mmm. Yummy. You think I could have a sip of that?

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Be my guest. I gotta know what a five-dollar shake tastes like. - You can use my straw. I don't have cooties. - Yeah, but maybe I do. Cooties I can handle. All right.

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Goddamn, that's a pretty fuckin' good milkshake! -Told ya. -I don't know if it was worth $5, but it's pretty fuckin' good.

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[ Music Continues ]

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- Don't you hate that? - Hate what? Uncomfortable silences.

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Why do we feel it's necessary to yak about bullshit in order to be comfortable? I don't know. That's a good question. That's when you know you found somebody really special. When you can just shut the fuck up for a minute and comfortably share silence. Well, I don't think we're quite there yet, but don't feel bad. We just met each other.

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I'll tell you what. I'm gonna go to the bathroom and powder my nose. You sit here... and think of something to say.

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I'll do that.

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