Pulp Fiction

Pulp Fiction is a 1994 American independent crime film written and directed by Quentin Tarantino from a story he conceived with Roger Avary. It tells four intertwining tales of crime and violence in Los Angeles, California. The film stars John Travolta, Samuel L. Jackson, Bruce Willis, Tim Roth, Ving Rhames, and Uma Thurman. The title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue. Tarantino wrote Pulp Fiction in 1992 and 1993, incorporating scenes that Avary originally wrote for True Romance (1993). Its plot occurs out of chronological order. The film is also self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". Considerable screen time is devoted to monologues and casual conversations with eclectic dialogue revealing each character's perspectives on several subjects, and the film features an ironic combination of humor and strong violence. TriStar Pictures reportedly turned down the script as "too demented". Miramax co-chairman Harvey Weinstein was enthralled, however, and the film became the first that Miramax fully financed. Pulp Fiction won the Palme d'Or at the 1994 Cannes Film Festival and was a major critical and commercial success. It was nominated for seven awards at the 67th Academy Awards, including Best Picture, and won Best Original Screenplay; Travolta, Jackson, and Thurman were nominated for Best Actor, Best Supporting Actor, and Best Supporting Actress respectively. As a result of the film's success, Travolta's career was reinvigorated, and the previously unknown Jackson and Thurman became household names. The film's development, marketing, distribution, and profitability had a sweeping effect on independent cinema. Pulp Fiction is widely regarded as Tarantino's magnum opus, with particular praise for its screenwriting. The self-reflexivity, unconventional structure, and extensive homage and pastiche have led critics to describe it as a touchstone of postmodern film. It is often considered a cultural watershed, influencing films and other media that adopted elements of its style. The cast was also widely praised, with Travolta, Thurman, and Jackson earning high acclaim. In 2008, Entertainment Weekly named it the best film since 1983 and it has appeared on many critics' lists of the greatest films ever made. In 2013, Pulp Fiction was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant".

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Deal.

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Get your ass outta here.

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[ Zed Wheezing ]

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[ Groaning ]

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[ Groaning Continues ]

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Oh, shit.

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[ Door Bells Jingling ]

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[ Engine Starts ]

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[ Engine Stops ]

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Fabienne! [ Groans ]

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Fabienne! [ Groaning Continues ]

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Fabienne! Come on, baby. - Come on. Get your shit. We gotta go right now. - I was so worried. - What about our bags? - Fuck the bags; if we don't split right now, we'll miss the train. - I'll be downstairs. - Is everything well? - Just come on! No talking now! - Are we in danger? [ Groaning Continues ]

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Come on, honey!

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Where did you get this motorcycle? - It's not a motorcycle, baby. It's a chopper. Let's go. - What happened to my Honda? I'm sorry, baby, I had to crash that Honda. Will you come on now, please? Come on. Let's go, let's go, let's go.

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- You're hurt? - No, no, I might've broken my nose. It's no biggie. Come on. Hop on. Baby, please, we- Honey, we gotta hit the fuckin' road! Get on!

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- Oh, baby, I'm sorry. Come here, come here. - [ Weeping Quietly ] I'm sorry. Mmm. - I'm so sorry. - You were gone so long, I started to think dreadful thoughts. I didn't mean to worry you. Everything's fine. - How was your breakfast? - It was good. Did you get the blueberry pancakes? They didn't have blueberry; I had to get buttermilk. Are you sure you're okay? Since I left you, this has been, without a doubt, the single weirdest fuckin' day of my life- I'll tell you all about it. Gotta go. Come on. Butch, whose motorcycle is this? - It's a chopper, baby. - Whose chopper is this? - Zed's. - Who's Zed? Zed's dead, baby. Zed's dead. [ Engine Starts ]

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[ Jules ] Yes, you did, Brett! You tried to fuck him, and Marsellus Wallace don't liked to be fucked... by anybody except Mrs. Wallace. - Oh, God, please. I don't wanna die. - You read the Bible, Brett? - [ Whimpering ] Yes! - Well, there's this passage I got memorized. Sorta fits the occasion. Ezekiel 25:17. "The path of the righteous man is beset on all sides... by the inequities of the selfish... - and the tyranny of evil men. - [ Whimpering Continues ] Blessed is he who, in the name of charity and good will, shepherds the weak through the valley of darkness, for he is truly his brother's keeper... and the finder of lost children. And I will strike down upon thee with great vengeance... and furious anger... those who attempt to poison and destroy My brothers. And you will know My name is the Lord... when I lay My vengeance upon thee." - [ Groans Loudly ] - [ Gunshots ] [ Screams ]

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I'm fucked. Oh, fuck. Oh, fuck. - [ Vincent ] ls he a friend of yours? - Oh, goddamn. Goddamn. [ Jules ] Hmm? Oh. Vincent, Marvin. Marvin, Vincent. - Better tell him to shut up. He's gettin' on my nerves. - Fuck. [ Muttering ] Marvin. Marvin! I'd knock that shit off if I was you. - [ Door Slams ] - Die, you motherfuckers! Die! [ Hammer Clicking ]

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Why the fuck didn't you tell us somebody was in the bathroom? Slip your mind? Did you forget that someone was in there... with a goddamn hand cannon? You see the size of that gun he fired at us? It was bigger than him.

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We should be fuckin' dead, man. I know. We was lucky. No, no, no, no. That shit wasn't luck. - Yeah, maybe. - This was divine intervention. You know what divine intervention is?

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